Oh joy upon joys, as The Apprentice returns. Those of you who watch while playing a drinking game in which you imbibe every time a cliché or preposterous, bombastic or ridiculously inflated statement is uttered will have to check in your livers again sometime soon, but I’m delighted to say that this new series allows another permutation of the game - have a glug every time you can spot the person who has watched every second of the previous six series but Hasn’t Learnt a Damned Thing.

In a week unfeasibly packed with new drama across the BBC and ITV, the three-part Exile may prove to be the one that lingers longest. It was a thriller and a detective story, but what gave it its formidable grip was the way the central mystery was intricately entwined with the painful personal story of  Tom Ronstadt (John Simm) and his father Sam (Jim Broadbent).

The flying Twitter fragments said more about The Wedding than the battalions of experts, "palace insiders", historians and friends ever could (couldn't somebody have put a bag over Simon "infinite loop" Schama's head and had him bundled away from the BBC studio in the boot of a car?) Everybody seemed to adore Kate's dress. Some suggested that princesses Eugenie and Beatrice were in drag. "The Royal Family is BACK", tweeted Piers Morgan. "#proudtobeenglish" added former England cricket captain Michael Vaughan.

Comedy writer John Sullivan has died aged 64, writes Adam Sweeting, after spending six weeks in intensive care battling viral pneumonia. The creator of several hit comedy series for the BBC, Sullivan is guaranteed immortality for his masterpiece, Only Fools and Horses, which ran from 1981 to 2002. Featuring the escapades of the wide-boy south-London brothers, Rodney and Del Boy Trotter (Nicholas Lyndhurst and David Jason), it became one of the best-loved British comedies ever screened, and also gained a substantial international following. A 2004 poll named Only Fools... as the best British sitcom of all time, and the show's 1996 Christmas Special scored a ratings record of 24 million viewers.

Trouble? What trouble? There may be the odd reader who doesn't get past the Austerlitz sequence of War and Peace, and many who don't brave the master's last big novel questioning church and state, Resurrection, but that's their problem, not Tolstoy's. He is indeed - as Professor Anthony  Briggs, the other star of this two-part documentary, states - the God of the novel. As a man, he was troubled to his dying day, and eventually a trouble to the state.

theartsdesk readers were aghast and appalled when BBC One supremo Danny Cohen cancelled detective series Zen after a paltry three episodes. However, he has made amends of a sort by commissioning a second series of Peter Moffat's legal drama Silk, after series one ended last night.

Will Silk make it to series two, or will it feel the wrath of BBC One's mad axeman, Danny Cohen? The former, we fervently hope. Despite some implausible incidents and occasionally silly plotlines, Peter Moffat's battling-barristers drama reached the end of its first series looking stronger than when it started.

By the trail of dead shall ye know Detective Superintendent Peter Boyd, who bounces back irascibly for a ninth and final series of Waking the Dead. For once, British TV has the edge over its American counterpart. While Jerry Bruckheimer's US series, Cold Case, always feels dragged backwards by its clunking reconstructions of ancient crimes (especially the device of using young actors to impersonate now-elderly perps in their prime), Waking the Dead manages to catapult its back-catalogue felonies vividly into the present.

Horror and dismay have greeted BBC One controller Danny Cohen’s decision to axe detective drama series Zen, after the network aired a solitary three-part series in January which pulled a very respectable 5.7m viewers per episode.