Chris Petit's Radio On, his 1979 debut as writer-director, should be regarded as the first British psychogeography film.

In 1992 Martin Amis published a story, “Career Move”, in which the writers of sensational screenplays with titles like Decimator and Offensive from Qasar 13 read their work to empty rooms in shabby pubs. Meanwhile, wealthy and fêted poets pen verses entitled “Composed at – Castle” or “To Sophonisba Anguiscola” and their agents immediately juggle megabuck offers from LA: “In poetry, first class was something you didn't need to think about. It wasn’t discussed.

We may not be in the EU any more, but geographically and culturally we can celebrate being part of Europe as much as we jolly well like. For Europe Day, the European Parliament Liaison Office, the Camōes Institute, the Embassy of Portugal and the Delegation of the EU in the UK staged a special lunchtime concert at St John’s Smith Square, given by the Northern Chords Festival Orchestra conducted by Jonathan Bloxham. 

Sheds have flourished in lockdown: they’ve always been places to escape to and in the past year, when spruced up as home offices, even more so. They’re also emblems of isolation.

I think I can safely say that polymath playwright Philip Ridley has had a good lockdown.

Wigmore Hall does not dish up a great deal of contemporary music, preferring a menu of mainstream chamber music. But this programme by the Nash Ensemble offered a different kind of mainstream: within the world of contemporary music this was a middle-of-the-road offering.

To Sir, With Love is a very loose adaptation of ER Braithwaite’s autobiographical novel. Reflecting on his experiences as a teacher in London’s East End in the late 1940s, Braithwaite’s commentary (one of two provided here) advises us that “as you read the book, that’s how it was.

AJ Tracey is one of Brit rap’s aristocracy now. Along with the likes of Stormzy, Dave, J Hus and lately Headie One, he is massively bankable, with streams in the tens of millions for singles, sellout shows in Alexandra Palace, and radio ubiquity.

What may have happened here is that an intriguing book has been turned into a not so great TV series. Too Close was Natalie Daniels’s well-received first novel, and she has adapted it for this ITV three-parter under her real name of Clara Salaman. She used to play DS Claire Stanton in The Bill 20 years ago.

Catch Us If You Can, the 1965 road movie starring Barbara Ferris and the eponymous drummer and guiding force of the Dave Clark Five, proved a more trenchant satire of capitalism in the embryonic Swinging ‘60s than did the box-office smash it was piggybacking, the previous year’s A Hard Day’s Night.