You can’t ever go all the way home again, and for years Dizzee Rascal didn’t want to.

To plan a programme around The Tempest, its symbolism and the idea of evanescence, the fragility of the human condition, is one thing. To pull it off convincingly is quite another. The young Russian pianist Pavel Kolesnikov not only did so in his Wigmore Hall recital on Monday night, but offered an evening so profoundly touching that it seemed at times to inhabit Prospero’s magic island, plus some. 

Bidding farewell to the Royal Festival Hall, Tasmin Little was at the very peak of her powers. It’s almost unthinkable that we will never see her play here again. Many have hoped that she’d be one of those musicians who announce their retirement only to be back for one last time…and another… but Little is a genuine soul who has always said what she means and meant what she says. And she says that that really is that. 

During the Black Lives Matter demonstrations in London earlier this year, a black man named Patrick Hutchinson hoisted over his shoulder an injured white man from the counter-protest of the English Defence League and carried him to safety. The photographs made headlines. The incident took place just outside the artists’ entrance of the Royal Festival Hall. 

Ronnie Scott was a remarkable man: “Jazz Musician, Club Proprietor, Raconteur and Wit, he was the leader of our generation,” reads the memorial to him at Golders Green Crematorium. Oliver Murray’s documentary film Ronnie’s is an affectionate and portrait of him and of the jazz club he founded.

What do you want to do on your 80^th birthday? Well, playing two of your favourite pieces of music at the Wigmore Hall is not a bad option. To celebrate his big day, Stephen Kovacevich returned to the scene of many of his triumphs since 1961, chose the Bach Partita No.

Rarely have I seen so many smiles on stage as at Kings Place on Saturday. The combination of the delight of the performers being back in their natural environment with the genial and generous-spirited music they were playing brought out the best in everyone.

Released in 1956, J. Lee Thompson’s Yield to the Night is remembered by many for what it isn’t, namely a fictional retelling of the events leading to Ruth Ellis’s execution in 1955. Mike Newell’s Dance with a Stranger told that story in 1985 with Miranda Richardson in the lead role. Thompson’s star, Diana Dors, stated that the film "wasn’t about Ruth Ellis at all.

It’s over ten years now since theartsdesk cited Tinie Tempah’s success as marking the start of a revolution for post grime black British rappers conquering the pop charts on something approaching their own terms.

“O wise young judge”, says Shylock to Portia in The Merchant of Venice.It seemed just such a figure who made her way to the piano at the Wigmore Hall last night. Besuited, bespectacled, with a poised upright posture that frees her arms, plus the serious demeanour that I sometimes term “Heifetz face”, the youthful Georgian pianist Mariam Batsashvili eschews any fashionable emoting, arm-flinging or face-pulling.