Absorbed meets Allison at the end of her relationship with Owen. They are at a New Year's Eve party when she realises that their 10-year partnership has wound down. So far, so normal. But even within this introduction, we are drawn into Allison's head, the promise clear that the anxieties she hears on a daily basis will become secondary characters to the plot itself.

Seventeen years after Ben Whishaw shot to attention playing Hamlet, this terrific actor is again playing someone "mad-north-northwest". Marking TV director Aneil Karia's feature film debut, Surge casts Whishaw as a jittery wreck called Joseph, whose psychic decline is tracked across 100 largely wordless minutes that nonetheless communicate a mounting dread.

“The only child I’ve ever had is you,” the artist’s wife (Lena Olin), spits at the artist, her considerably older husband (Bruce Dern), who retorts, “That was your goddamn choice so don’t blame it on me.”

If it weren’t for the warning on the blurb, the first chapter of Double Blind would have you wondering whether you’d ordered something from the science section by mistake. It's a novel that throws its reader in at the deep end, where that end is made of "streaks of bacteria" and "vigorous mycorrhizal networks" that would take a biology degree (or a browser) to decipher.

There was always something a little diffident about teenage Marion Elliott-Said, who created her on-stage persona Poly Styrene after putting together her band X-Ray Spex from a small ad in the back pages of the NME in 1977.

Adam (Charlie Plummer) is being tested for glaucoma at the start of Words on Bathroom Walls, the director Thor Freudenthal's adaptation of Julia Walton's 2017 Young Adult novel.

Zeina Durra’s sophomore feature arrives on our screens a decade on from her debut, The Imperialists Are Still Alive! It was worth the wait. Luxor is a subtle, low-key drama that possesses an atmosphere of meditative calm, exploring a life that has seen too much pain and is desperate to find a way to heal. 

The bleak power of the Australian horror movie Relic, Natalie Erika James’s feature debut, derives from its masterful use of a simple metaphor.

Unsurprisingly, there’s a lot of pleasure to be had watching Stanley Tucci and Colin Firth as a mature couple pootling around the UK in their humble camper van. They bicker about the satnav voice, argue the merits of the shipping forecast, and both give such convincing performances that you’d think they’d been together for decades.

Today is World Mental Health Day and of course that means an awful lot of hugs and homilies, thoughts and prayers, deep-breathing exercises and it’s-good-to-talk platitudes from people speaking from positions of immense privilege – ranging from the well-meaning to outright grifters.