It's interesting to note that this Netflix series – the second of Ricky Gervais's study of bereavement, which he writes, directs and stars in – is broadcast during lockdown. We've quickly become used to a different pace of life – slower, less rooted in strict timeframes of work or family routines – so we should, in theory, be able to ease ourselves into the slowness.

“Crying never solves anything.

While not the most headline-catching show on Netflix, Ozark has been steadily accruing critical accolades (including a couple of Emmys) and a devoted audience. Perhaps this superb third series will mark the tipping point where Ozark crosses over from cliqueishness to mass adulation.

Michelle Wolf, best known to UK audiences as the comic who upset Donald Trump with some smart barbs aimed at his staff at the 2018 White House Correspondents' Dinner, has done some occasional dates this side of the pond (plus a run at the 2016 Edinburgh Fringe), so her fans will be grateful for Joke Show, a Netflix speci

The Two Killings of Sam Cooke is a programme of multiples, a film which plays with doubles, divergences, and different narrative strands. It begins almost as if it will become a true crime investigation into a life cut short, moves into a more traditional music documentary, then ends on a defiant, powerful cry that his story (and his death) should still be so relevant.

Shappi Khorsandi's latest show, Skittish Warrior – Confessions of Club Comic, is an enjoyable look back at the stand-up's 20 years in the comedy business. She starts by taking us back to when she was child refugee; her father, a poet and satirist, offended the clerics in Iran, and was even the target of an assassination gang in London.

Julian Fellowes admits he knows little about football and has always hated sport in general, but this hasn’t prevented him from writing a TV series (for Netflix) about football’s 19th century origins.

The 2020 Formula 1 season will commence in Melbourne next weekend... unless the race is cancelled because of the mounting coronavirus panic. Everyone will have to self-isolate and watch Netflix instead, so how fortunate that the ‘flix has delivered this second series of Drive to Survive in the nick of time.

The comic book of Locke and Key, written by Joe Hill (son of horror writer Stephen King) and illustrated by Gabriel Rodriguez, was first published in 2008, and its mix of multi-generational family drama and supernatural creepiness made it a cult hit.

This eight-part mystery from Netflix is based on the titular novel by American writer Harlan Coben, who has formed a production company with Rochdale’s own Nicola Schindler, the production brains behind Happy Valley, Last Tango in Halifax and many more.