Hellbound, Netflix review - supernatural assassins usher in an age of terror

★★★★ HELLBOUND, NETFLIX REVIEW Nightmare alternative reality from director Yeon Sang-ho

Nightmare alternative reality from director Yeon Sang-ho

Netflix is sometimes criticised for bringing too much of everything to its online feast, but the way it’s opening up previously under-exposed territories is becoming seriously impressive. Suddenly, South Korea is beginning to look like a powerhouse in the making, with consecutive big ratings hits with Squid Game and now Hellbound.

The Power of the Dog review - of rawhide and roses

BAFTAS 2022 Jane Campion's The Power of the Dog wins Best Film and Best Director

Jane Campion's 1920s Western nails the lid on rugged masculinity

The archetypal fascinating male in Jane Campion’s films – whether his allure for a woman owes to his earthy virility or emotional sensitivity, his animal appeal or his soul – has a malign other.

Squid Game, Netflix review - murderous game show hits the ratings jackpot

★★★★ SQUID GAME, NETFLIX Murderous game show hits ratings jackpot

South Korean series mixes slaughter and greed with a dash of moral philosophy

This Korean-made show suddenly became Netflix’s all-time greatest hit, demonstrating once again the irresistible allure of a game show which ruthlessly massacres its contestants. Squid Game has some fairly obvious antecedents – for instance The Hunger Games, the Schwarzenegger vehicle The Running Man and the Japanese TV show Battle Royale – and also carries echoes of the 1960s cult mystery The Prisoner and perhaps a soupçon of Lord of the Flies.

Dave Chappelle: The Closer, Netflix review - race and class examined

★★★ DAVE CHAPPELLE: THE CLOSER, NETFLIX Race and class examined

US comic is equal opportunities offender

Say what you like about Dave Chappelle, but if nothing else he's an equal-opportunities offender, as his latest Netflix special, The Closer, proves. The last of his six specials for the network, all of which have drawn criticism – as well as plaudits – for his uncompromising “I tell it as I see it” material has again provoked ire in some quarters.

Hit & Run, Netflix review - Lior Raz excels as a hard man on a hazardous mission

★★★★ HIT & RUN, NETFLIX Lior Raz excels as a hard man on a hazardous mission

Covert war erupts between Israeli and American spy agencies

Lior Raz is Israel’s very own man with a very particular set of skills. However, unlike the looming 6ft 4in Liam Neeson who plays Bryan Mills in the Taken films, Raz is stocky, shaven-headed and clocks in at a mere 5ft 7in.

Lupin, Part 2, Netflix review - master of disguise versus racists and lies

★★★★ LUPIN, PART 2 , NETFLIX Master of disguise versus racists and lies

Second coming of crowd-pleasing French drama hits virtuoso high notes

Lupin isn’t really about the fictional character it’s named after (the gentleman thief Arsène Lupin, created in 1905 by French writer Maurice Leblanc), but about Assane Diop, who’s an obsessive fan of the Lupin novels.

Ferry review - the making of a Dutch gangster

Netflix capitalises on trend of 'origin stories' to promote one of its own TV series

Success for the Belgian-Dutch crime series Undercover has led Netflix to produce an origin story for the show’s drug lord character Ferry Bouman (Frank Lammers). While this may be a dream come true for a portion of the show’s diehard fans, this formulaic movie is stalling, predictable and riddled with every gangster cliché in the book.