Sikisa is a new name on the comedy scene, but trust me you'll hearing and seeing a lot more of the south Londoner with Barbadian roots. Twerk in Progress, her in-progress version of her debut show Life of the Party, is a winning mixture of autobiography and social comment.
Joe Lycett’s career was on an upward trajectory when he took on hosting duties on The Great British Sewing Bee, and the crafting show delivered a whole new audience for his live comedy. But anybody thinking that his sweet-natured wit was all there was to Lycett might be taken aback by some of his stand-up material.
Andy Zaltzman comes on stage to deliver a short preamble to his show Satirist For Hire. Much of the hour is suggested by the audience as they choose subjects they want him to muse on. Some have emailed before they arrive, others have left it till they arrive at the theatre; one shouts out a suggestion from the bar. Zaltzman leaves the stage for a few minutes to write some notes and then returns for the show proper.
Brandon Wardell is a big social media star – he has a large following on Twitter and Instagram, YouTube and TikTok – and has in the past appeared as support for fellow Millennial Bo Burnham. And now he is doing a short run at the Soho Theatre.
Shaparak Khorsandi has reverted to her given name since she last toured (she used to be known as Shappi) but other than that not much has changed in her brand of feelgood comedy, and her new show, It Was the 90s!, is an amusing look back at her youth from the perspective of middle age.
Sarah Millican is clearly glad to be back on stage, and the noisy reception she gets at the Winter Gardens in Margate suggests her fans are glad to have her back too. Bobby Dazzler is a crowd pleaser in much the same vein as her previous shows – unflinching honesty about women's bodies, and scatological filth.
Nish Kumar comes on stage raring to go, and delivers 15 minutes of terrific political comedy that expertly skewers the Government and this country's leader “spraying jizz over us”. It's a barnstorming start to the show and worth the price of admission alone.
Lots of stand-ups plunder their personal lives for material – whether it's about friends, parents, children or partners – and many a good show has been fashioned by the telling of tales about them, or comic exaggerations at least. But sometimes real life interrupts art in the rudest possible way.
