Hannah Gadsby, Soho Theatre review - misogyny explored

★★★★ HANNAH GADSBY, SOHO THEATRE Straight-talking comic takes no prisoners

Straight-talking comic takes no prisoners

Hannah Gadsby was awarded best show (jointly with John Robins) at the 2017 Edinburgh Comedy Awards for Nanette, which had already been given the equally prestigious Barry award at last year's Melbourne Comedy Festival.

Andrew Maxwell, Soho Theatre - insightful political comedy

Brexit and beyond

“I don't want to talk about Donald Trump,” Andrew Maxwell tells us as he comes on stage at the beginning of Showtime, because no matter what comics make up about the US President, he then goes and does something more weirdly comic, more comically weird, than they could ever invent.

Chris Rock, SSE Wembley Arena review - energetic and fast-moving performance

★★★★ CHRIS ROCK, WEMBLEY Nice to have the controversial US comic back

Controversial US comic on rare UK tour

Chris Rock, another fine alumnus of the comedy factory known as Saturday Night Live, rarely comes to these shores, so his short arena tour was welcome. He last visited the UK 10 years ago as he had been busy with, among other things, presenting the Oscars, voicing Marty the Zebra in the Madagascar films and bringing up a family.

Leicester Comedy Festival Gala Preview Show - going from strength to strength

The event's 25th incarnation

In the early 1990s, a group of students at Leicester Polytechnic (now De Montfort University) staged an end-of-year comedy project. Three of them – Claire Walker, Abi Palmer and Geoff Rowe – developed the idea into what in 1994 became the first Leicester Comedy Festival; Walker and Palmer have gone on to other great things in the arts and Rowe remained as the festival's director. Under his leadership it has gone from strength to strength – second only to the Edinburgh Fringe in its stature in the industry.

Best of 2017: Comedy

BEST OF 2017: COMEDY The shows that have stayed in the memory

The shows that have stayed with me

The Edinburgh Fringe is usually the high point of the year for comedy, but in truth it wasn't a solid five-star year – although there were some stand-out performers. And if the test of good comedy is the shows that stay with you, and which you want to see again, then a few are definitely up there.

John Bishop, O2 review - Everyman comedy with a hint of subversion

★★★★ JOHN BISHOP, O2 Everyman comedy with a hint of subversion

From Bono to Brexit and back again

John Bishop was last on tour three years ago and he tells us that this show, Winging It, was inspired by two things that happened in the intervening period. Not the obvious Brexit (although it does make an appearance), but in that time he has passed the 50 landmark and his three sons have all left home.

Kerry Godliman, Touring review - affable and down-to-earth humour

★★★★ KERRY GODLIMAN, TOURING A canny look at social mobility

A canny look at social mobility

Kerry Godliman is such an affable and down-to-earth onstage presence that when she talks about whether she should move now that her area has upped and come – you can tell by the local baker making sourdough loaves – you think how much her neighbours would miss her.

Mat Ewins, Soho Theatre review - multimedia show with twists in the tale

★★★ MAT EWINS, SOHO THEATRE Not just an entertaining Indiana Jones spoof

Not just an entertaining Indiana Jones spoof

Mat Ewins comes on stage with a bullet belt slung across his chest. Indiana Jones he ain't, but what follows is a spoof on that film genre, a convoluted narrative that makes little sense but has a large degree of bombast as the show's title, Mat Ewins: Presents Adventureman 7 – the Return of Adventureman, suggests.

Ahir Shah, Soho Theatre - a bravura response to Brexit vote

Angry, passionate and political

There were a lot of shocked and disappointed people after the EU referendum last year and several comics have used the result to fashion some good comedy, delivering state-of-the-nation material in their shows. For Ahir Shah, though, the more he thought about the result, the more he took it personally.