Amy Gledhill won the Don and Eleanor Taffner Best Comedy Show, the main award at the 2024 Edinburgh Comedy Awards for Make Me Look Fit on the Poster. The show has variously been described as “bawdy comedy delivered with a blush”, “a funny woman rightly confident of her comedy talents” and “a brilliant physical comedian”.

Accepting her award, Gledhill said: “This is insane. I saw the other people on this list and I thought, 'I don't have to write a script!'”

Grace Mulvey, Assembly Roxy ★★★

Grace Mulvey has been single for five years, she tells us at the top of the show, a matter of some disappointment to her mother back in Dublin. Even moving to London two years ago didn't change her dating status, despite the best efforts of her flatmates. But then, they're lesbians and she's straight, so maybe their advice isn't quite hitting the spot.

Stevie Martin, Monkey Barrel ★★★ 

Stevie Martin is part of the generation of comics for whom the internet is a natural home; she has racked up tens of millions of views for her work online, where she had to strut her stuff when the world went into lockdown.

Chris Grace, Assembly George Square ★★★★ 

Emma Sidi Is Sue Gray Pleasance Courtyard ★★★★

I have no idea what Sue Gray - the former senior civil servant who is now The Prime Minister’s right-hand woman - sounds like, but I’m guessing not someone who has stepped straight out of The Only Way Is Essex.

Eric Rushton, Monkey Barrel @ The Hive ★★★★

Anna Akana, Pleasance Courtyard ★★★★

Rahul Subramanian is a well-established comic in his native Mumbai, as evidenced by the appreciative audience of Indian expats gathered at Soho Theatre. His sellout dates in London acted as previews to his debut run at the Edinburgh Fringe, which starts on 2 August.

Hannah Berner isn't a big name in stand-up (yet), but she's well known enough in the United States to have come to Netflix's attention. Her fame comes from TikTok and Instagram (where she has three million followers), her podcasts and formerly being a cast member of the Bravo reality series Summer House. We Ride at Dawn is her first, but I suspect not her last, Netflix special.

The most striking thing about the 1976 documentary (restored and re-released by the BFI) is just how polite Billy Connolly comes across as. Not that he's impolite now, but the raucous stage presence and vibrant chatshow interviewee was yet to fully form.