Conceived and written by Matt Charman, whose CV includes an Oscar nomination for his work on Steven Spielberg’s film Bridge of Spies, Hostage is a rather puzzling mix of political thriller and domestic drama which can never decide whether it’s serious or not.
What would TV screenwriters do without drugs? In Flight, created by Mike Walden and Adam Randall, is yet another drama depicting the perils and pitfalls of getting sucked into the narcotics trade, though it does deliver a twist or two to distinguish it from earlier specimens.
Ridley Scott’s original Alien movie from 1979 was an all-time sci-fi/horror classic, and even an endless stream of sequels and spin-offs – Aliens, Alien 3, Alien Resurrection, Alien vs Predator, Prometheus, Alien: Romulus et al – hasn’t diluted the electrifying impact of the original.
Alexandre Dumas’ novel has been filmed an immeasurable number of times (there was a new French version only last year) and televised even more frequently (a Mexican incarnation materialised in 2023). Yet the world still can’t get enough, so here’s another one, this time a French/Italian production with a polyglot Euro-cast.
Readers of Richard Flanagan’s Booker-winning novel will be familiar with its themes of war, extreme suffering, ageing, memory, fidelity and infidelity, as it roves over the decades from World War Two to the late Eighties.
As a sometime writer of Poirot, Sherlock and Christmas ghost stories, Mark Gatiss is no stranger to enigmatic crimes and bizarre occurrences set in carefully-recreated versions of the past. He revisits similar themes in Bookish, his new series about a second-hand bookseller in post-World War Two London who is evidently concealing some hidden depths.
A mixture of legal drama, medical mystery and psychological thriller with creepy supernatural overtones, Insomnia sometimes seems to be trying to cram too much in, but it’s well worth sticking with it to the end to reap the full benefits. Not the least of its strengths are its classy production values and an excellent all-round cast, with Vicky McClure in the lead role of high-flying City lawyer Emma Averill, Leanne Best as her sister Phoebe, and Lyndsey Marshal throwing any number of flies into the ointment as Caroline Mitchell.
Netflix’s new detective-noir is a somewhat cosmopolitan beast. It’s written and directed by an American, Scott Frank, derived from a novel, Mercy, by the Danish crime writer Jussi Adler-Olsen, and set in Edinburgh (as well as other flavourful Scottish locations). There are plenty of Scots in the cast too, although it’s the very English Matthew Goode (Downton Abbey, The Crown etc) who takes the lead role of DCI Carl Morck.
The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s Lockerbie: A Search for Truth. This focused on the dogged and agonising search for truth by Jim Swire (played by Colin Firth), whose daughter Flora was killed in the attack, and raised a host of possibilities and theories about who did it and why.
If you compiled a list of favourite TV series from the last couple of decades, you’d find that Zoë Telford has appeared in most of them. The Thick of It, Foyle’s War, Ashes to Ashes, Sherlock, Silent Witness, Unforgotten, Grantchester, Vera… they all appear on her on CV, with many more besides.