The Planets, Series Finale, BBC Two review - ice cold on Neptune

Brian Cox's series concludes with a deep-frozen trip to the far end of the Solar System

As an aid to meditation, Professor Brian Cox’s latest series The Planets (BBC Two) could hardly be faulted. A majestic tour of the Solar System awash with computerised imagery, an eerie soundtrack and a travel budget the president of the United States might envy, it exerted a narcotic allure as Cox’s gaze roamed billions of kilometres into deep space. His whispery commentary is a bit like having a scalp massage.

Mind you, you could probably glean most of the facts from assorted scientific publications or even Wikipedia, but Cox has a gift for making you feel that he’s telling the story for the first time to you, personally. For this final episode, he (and the Voyager 2 probe) took us to the farthest reaches of the Solar System, which meant Uranus, Neptune and Pluto. It’s bloody cold out there, with Cox characterising Uranus as “the pale blue marble hanging in the dark, frozen depths of space.” Neptune, a piffling 4.5bn kilometres from the Sun, experiences winds screaming through its atmosphere at 2,000kph and temperatures of -214 Celsius. As for Pluto, so distant that not even the Hubble telescope can get a decent photograph of it, it may have an underground ocean with a topping of “soft nitrogen ice”.

Cox based himself in Iceland to evoke a sense of these glacial destinations, driving through snowy wastelands in an SUV and posing against rugged landscapes like a starship trooper. His device of showing the relative distances between the planets and the sun by using Reykjavik harbour as a reduced-scale model was ingenious and effective. Yet, though he argued the case for space exploration as a solution to Earth’s dwindling resources, he can’t change the fact that for many of us, space remains an infinite freezing vacuum with (so far) no sign of life. Which is a tiny bit terrifying.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
For many of us, space remains an infinite freezing vacuum with (so far) no sign of life

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more tv

Jude Law and Jason Bateman tread the thin line between love and hate
Jack Thorne's skill can't disguise the bagginess of his double-headed material
Jackson Lamb's band of MI5 misfits continues to fascinate and amuse
Superb cast lights up David Ireland's cunning thriller
Influential and entertaining 1970s police drama, handsomely restored
Sheridan Smith's raw performance dominates ITV's new docudrama about injustice
Perfectly judged recycling of the original's key elements, with a star turn at its heart
A terrific Eve Myles stars in addictive Welsh mystery
The star and producer talks about taking on the role of Prime Minister, wearing high heels and living in the public eye
Turgid medieval drama leaves viewers in the dark
Suranne Jones and Julie Delpy cross swords in confused political drama