Musical hands across the ocean

share this article

The American Classical Orchestra is generously offering to lighten the gloom of Europeans trapped by the volcanic cloud in New York (although it's hardly the worst place for an enforced stopover). This Saturday the ACO performs the climactic concert of its 25th-anniversary season at the Big Apple's Cathedral Church of St John the Divine, and any stranded European nationals will be given a free ticket if they show their passport at the door.

Concert preview on YouTube

It's a rumbustious bill. It opens with Handel's Coronation Anthems, which will be adorned by 60 dancers from the Conservatory of Dance at Purchase College, SUNY, and the Ballet Hispanico School, performing contemporary choreography by Cynthia Fuller-Kling. The second half is a full-scale performance of Beethoven's Ninth Symphony, featuring 150 singers from three different choirs alongside the four soloists.

The American Classical Orchestra is a period instrument ensemble specialising in Baroque, Classical and early Romantic repertoire, and was formed by Thomas Crawford in 1985. "Some of our musicians are stranded in Europe," says Crawford. "We are re-enacting a European coronation in a stunning cathedral - help them feel at home! Beethoven's Ninth is a people-uniter, and prompts people to want to reach out with gestures of love and humanity. It refers to the power of nature - not volcanoes but the starry firmament. This is an overwhelmingly 'happy' concert, thrilling, uplifting, so it will bring joy and familiar ground to those stuck here."

Jolly nice of him, theartsdesk reckons. Who says the special relationship is dead?

Thomas Crawford discusses Beethoven's Ninth on YouTube



rating

0

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more classical music

Eloquent thoughts on the wonder of 'Dichterliebe' and a new work inspired by it
Latest in a line of great Irish mezzos shows her versatility, and the strings swoon
A pair of much-loved cello concertos, plus percussion transcriptions and a great German song cycle
Two recitals in a thousand, other events good to excellent
Distinction and emotional impact from young musicians and an exuberant maestro
A brass hero blows through favourite pieces - and a bluesy newcomer
Baroque concertos, opera arias on solo horn and new music for contrabass flute
Subtle, introspective 'Harold in Italy' followed by over-punchy 'Symphonie fantastique'
Semi-staged version brings a heightened appreciation of the symphony's jostle of voices
Cellist/singer with friends and top quartet make welcome returns to the DICMF
Striking performances by a quartet with a strong sense of identity
Life-enhancing Danish piano music and a trio of epic symphonies