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Kathryn Reilly |

In a similar vein to 2024’s Mercury-nominated album Silence is Loud, Nia Archives' latest offering is an appealing blend of jungle and pop. It’s a strange concoction but a successful one.

Rachel Halliburton |

In 2012, an eight-hour long version of F Scott Fitzgerald’s The Great Gatsby arrived in London at the Noel Coward Theatre. Rather than risk offending the novel’s devotees by missing any detail out, the Elevator Repair Service theatre company had decided that they would stick their necks out and offer a theatrical marathon, narrating the book in its entirety.

Kathryn Reilly
Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the many…
Kathryn Reilly
Indie national treasure Nadine Shah is back, which is excellent news. Not least because it might not have happened. She lands, this time, with extra…
Saskia Baron
When Sidney Poitier died in January at the age of 94, the obituaries were warm and respectful to the pioneering black movie star. Now comes Oprah…

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Nia Archives keeps on experimenting with 'Emotional Junglist'

Kathryn Reilly
A powerful personal outpouring of joy and pain - with a great beat

The Great Gatsby, London Coliseum review - lavish and lively production fails to capture the novel's tortured soul

Rachel Halliburton
The production gets stronger in the second half as the shadows of tragedy begin to loom

Albums of the Year 2024: The Last Dinner Party - Prelude to Ecstasy

Kathryn Reilly
It's in everyone else's 'best of' lists, so why not ours too?

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