Podium odes to joy: conductors at the 2021 BBC Proms

Comsummate photographer Chris Christodoulou's annual gallery yields more treasures

share this article

Dalia Staevska inspiring the BBC Symphony Orchestra at the First Night of the Proms
All images by Chris Christodoulou

They must have been especially overjoyed to be back in front of (or with back to the greater part of) a live audience. But inspiring musicians is what conductors are there to do on the night, and what you see in the top image is what we got from the BBC Symphony Orchestra burning under its principal guest conductor Dalia Stasevska at the First Night of the Proms. That was a Sibelius Second Symphony like no other, but so much more throughout six revitalizing summer weeks was also unforgettable.

This is the 12th year we've run Chris Christodoulou's conductor shots, and the 40th anniversary of his peerless photography documenting the BBC Proms. Although Chris was present at the 2020 Proms, an audience wasn't, and that absence meant that the images couldn't have the same potency, In 2021, despite the shorter season and a certain amount of distancing, the spark was absolutely there (and theartsdesk is proud to have reviewed 22 Proms).Oh, and in case anyone is wondering, there were seven women conductors this year - still not enough, but it's going up all the time. If not all are respresented here, it's because Chris wasn't on duty that night. Anyone familiar with previous collections of the weird and wonderful knows what to expect.

Click on each image below for the full picture, or follow the arrows once clicked for the whole sequence.

This year, despite the shorter season and a certain amount of distancing, the spark was back again

rating

0

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more classical music

Eloquent thoughts on the wonder of 'Dichterliebe' and a new work inspired by it
Latest in a line of great Irish mezzos shows her versatility, and the strings swoon
A pair of much-loved cello concertos, plus percussion transcriptions and a great German song cycle
Two recitals in a thousand, other events good to excellent
Distinction and emotional impact from young musicians and an exuberant maestro
A brass hero blows through favourite pieces - and a bluesy newcomer
Baroque concertos, opera arias on solo horn and new music for contrabass flute
Subtle, introspective 'Harold in Italy' followed by over-punchy 'Symphonie fantastique'
Semi-staged version brings a heightened appreciation of the symphony's jostle of voices
Cellist/singer with friends and top quartet make welcome returns to the DICMF
Striking performances by a quartet with a strong sense of identity
Life-enhancing Danish piano music and a trio of epic symphonies