DVD: Hard to Be a God

The late Soviet and Russian master Alexei German finds diamonds in the muck

share this article

The filth and the fury: Vladimir Ilin and Yury Klimenko photographed 'Hard to Be a God'
Sever Studio/Lenfilm

It’s easier to admire than enjoy 2013's Hard to Be a God. The 177-minute final film directed by Leningrad-born Alexei German depicts medieval squalor and butchery so intensely that the viewer is forced to shrink from its portrait of life without culture, humanism, and soap. Like another protracted masterpiece, Béla Tarr’s 2011 The Turin Horse, German’s miasmic swansong imparts its riches mostly after being endured and reflected upon.

Adapted from the novel by Arkady and Boris Strugatsky, whose Roadside Picnic begat Tarkovsky’s Stalker, Hard to Be a God was filmed between 2000 and 2006 and, following German's death in 2013, finished by his wife and co-screenwriter Svetlana Karmalita and their son Aleksei German Jr. It’s set on Arkanar, a planet stuck in its own Dark Ages, which scientists from Earth have pledged not to end artificially. Until there’s a renaissance, all intellectuals, artisans, and artists must seek refuge or perish. Pol Pot’s Cambodia and contemporary Iraq and Syria are evoked, though German was presumably looking back to Stalin's USSR.

One visiting scientist, Don Rumata (Leonid Yarmolnik), has persuaded the Arkanarians he’s a god and roams the land as a noble (and hygienic) knight rescuing the reviled “smart arses”; his search for a royal doctor, Budahk, supplies the movie’s quest. Though there’s a series of vivid rendezvous and bloody encounters, and roving single-take shots give the illusion of a Brueghelian panorama, German’s literally tight focus on Don Rumata and his retinue’s tortuous progress gives the impression of stasis, or even retrogression.

Hard to Be a God is more muted than Khrustalyov, My Car! (1998), German’s hallucinatory vision of the anti-semitic “Doctors’ Plot” to kill Stalin. However, it shares that film’s satirical humour, along with the viscerality and exoticism of Ardak Amirkulov’s seismic Genghis Khan epic The Fall of Otrar (1991), which German co-wrote and produced. The new DVD and Blu-ray extras include Karmalita’s introduction, a career profile of German, and an interview with German Jr.

Miasmic swansong imparts its riches mostly after being endured

rating

5

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more film

Dip your toes into these Homeric movies before Christopher Nolan’s 'The Odyssey' ties us to its mast
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary
David Vann's acclaimed novella transposed to the screen with mixed results
The most important 'how-to video' you are ever likely to see
Satyajit Ray's poignant, thoughtful drama, set in 1960s Calcutta
Superman's party girl cousin earns her stripes underwhelmingly
Convoluted drama takes on Fab Four delusions, brotherly trauma and ultraviolence
Sophy Romvari's atmospheric first feature looks back at a tortured family dynamic