DVD: Maleficent

This dark re-imagining of Disney's wicked fairy delivers in style and effects

share this article

Little Shiloh Jolie-Pitt stars alongside her mother in the film
Angelina Jolie as the wicked fairy in this modern re-imagining

Angelina Jolie carries this re-visited Disney classic. She is the flying buttress that supports the old story told anew, as commanding as the nuclear green energy she emits into the stratosphere and as striking as any original drawing may have been.

While the famous curse scene is as honest an homage as it could be to the original animation, Maleficent draws upon the backstory of the supposedly evil villain from Sleeping Beauty. A woman mistreated and exacting her revenge, Jolie's powerfully haunting portrayal complete with clipped British accent sees her excel as both villain and hero as she works through heartbreak, sorrow and anger, emerging with a strange maternal longing and deep regret for the child she wronged.

Set against preternaturally stunning fairytale landscapes, she is accompanied by actors who aren’t nearly as memorable as the fantastical CGI creatures – twinkling, flitting elves, fairies, water sprites and sweet round-bellied swamp monsters. In due course, Maleficent’s lust for revenge turns to indifference, then sorrow. But, much to her horror, she cannot revoke the curse and by the time she realises her actions are unforgivable it seems to be too late. In an ending that echoes the sentiments of Disney’s Frozen, the twist in the tale is a welcome one. However some of the scenes are too disturbing to make this a kids film for that kind of age group – judging by the ass-kicking she delivers at the end, it’s more like Lara Croft Tomb Raider does Disney, making this a pre-teen action fairytale.

The twist in the tale is a welcome one

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more film

Dip your toes into these Homeric movies before Christopher Nolan’s 'The Odyssey' ties us to its mast
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary
David Vann's acclaimed novella transposed to the screen with mixed results
The most important 'how-to video' you are ever likely to see
Satyajit Ray's poignant, thoughtful drama, set in 1960s Calcutta
Superman's party girl cousin earns her stripes underwhelmingly
Convoluted drama takes on Fab Four delusions, brotherly trauma and ultraviolence
Sophy Romvari's atmospheric first feature looks back at a tortured family dynamic