NEDS

Peter Mullan's violent semi-autobiographical story of a Glasgow childhood

share this article

Conor McCarron gives an astonishingly natural and subtle central performance in 'NEDS'

Actor/director Peter Mullan describes NEDS, his third film as director (after Orphans and The Magdalene Sisters), as “personal but not autobiographical”, although it undoubtedly draws heavily on his working-class upbringing in 1970s Glasgow. He was, like his lead character John McGill, the academically gifted younger brother of a local hard man, determined to do well at school and escape the violent life he saw around him. Their father, as in the film, was a “raping, bullying alcoholic”.

Actor/director Peter Mullan describes NEDS, his third film as director (after Orphans and The Magdalene Sisters), as “personal but not autobiographical”, although it undoubtedly draws heavily on his working-class upbringing in 1970s Glasgow. He was, like his lead character John McGill, the academically gifted younger brother of a local hard man, determined to do well at school and escape the violent life he saw around him. Their father, as in the film, was a “raping, bullying alcoholic”.

As the film begins, we see the young John, book in hand and speaking of his plans to attend university, scared witless when a thug from a rival gang to his elder brother’s threatens him. John (Gregg Forest) may be gentle and sweet-faced, but he knows enough about how life is lived in these parts to get a message to Benny (Joe Szula), who has left home after getting into trouble. Benny then viciously beats up the wrong guy, but as John watches we realise that, while he may be appalled by the violence, he does nothing to stop it.

John’s home life is one of opposites. A loving, supportive mother and aunt, and an affectionate relationship with his younger sister have to vie with the malevolent presence of his father (played by Mullan), who ignores his family when sober but calls loudly for his wife’s sexual favours when drunk.

The action jumps forward a few years when John (now played by Conor McCarron) is a star pupil at the Catholic high school and rather full of himself. It's full of brutal teachers but one of them goes out of his way to help him. Then, when a touching friendship with a boy from a middle-class family goes sour, John throws away his chances at school, cheeking teachers and joining a gang. It’s as if he’s saying, "Well, everyone expects me to go bad, so I will," and before long his life is one violent episode after another, including knife-wielding gang fights and disabling injuries inflicted on another teenager for a piffling offence, and which culminates in a horrific attack on his father. John is excluded from school, his one possible escape route from a predictably troubled existence, and we wonder if he can turn his life around.

This is a remarkable film in many ways - angry, visceral, brimming with testosterone and not a little self-mythologising (Mullan describes his gang membership as “I was a total tourist”) - and has touches of Taxi Driver and Ken Loach about it. But mostly because, with a few exceptions, the young cast playing various friends and neighbours are non-professionals and they turn in wonderfully believable and natural performances. McCarron in particular is astonishing, a brooding presence of few words who manages to convey John’s menace and sly intelligence with the slightest change in facial expression.

I must confess a distaste for violence on screen, but Mullan mixes it with raucous black humour, from John’s friends - the cheeky, rob-their-grandmother NEDS (non-educated delinquents) of the title - to the wonderfully surreal, hilarious yet blasphemous scene in which the drug-addled John pulls Christ down from the cross, only to kill him again in a cartoonish fist fight.

And yet... I felt little emotional connection with John throughout this rather overlong film until the final scene. It’s not giving anything away to say that it’s a moment of quiet redemption as “John” grew up to go to university and become an acclaimed actor and director (NEDS won two awards at the San Sebastian film festival). After the murder and mayhem that has gone before, often accompanied by a frantic soundtrack, it’s a quirkily funny and touching moment as John begins to make amends for his past, and is utterly memorable.

Watch the trailer for NEDS

This is a remarkable film in many ways - angry, visceral, brimming with testosterone

rating

0

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more film

Dip your toes into these Homeric movies before Christopher Nolan’s 'The Odyssey' ties us to its mast
A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary
David Vann's acclaimed novella transposed to the screen with mixed results
The most important 'how-to video' you are ever likely to see
Satyajit Ray's poignant, thoughtful drama, set in 1960s Calcutta
Superman's party girl cousin earns her stripes underwhelmingly
Convoluted drama takes on Fab Four delusions, brotherly trauma and ultraviolence
Sophy Romvari's atmospheric first feature looks back at a tortured family dynamic