Album: Alice Cooper - The Revenge of Alice Cooper

The original Alice Cooper band are back to fly the flag for all the weirdos

share this article

The Revenge of Alice Cooper: no cynical cash-in

Great (and not so great) bands reforming, either in the studio or in the live arena, is something of a trend at the moment. However, who would have thought that the original Alice Cooper band would not only be part of this trend but the creators of one of the best new albums to emerge from it – more than 50 years since their last long-player?

Of course, the name Alice Cooper never actually disappeared and, to most people, it’s the stage name of a charismatic singer who was born Vincent Furnier in Detroit in 1948. However, in the early and mid-1970s, Alice Cooper was a lairy gang of hard-drinking reprobates who made a name for themselves by adding horror tropes and dark humour aplenty to high voltage rock’n’roll songs like “Elected”, “No More Mr Nice Guy” and, of course, the evergreen “School’s Out”. Nevertheless, the man and the band parted ways in 1975 and apart from the occasional, short-lived link-up over the last twenty years, with a gig here and a new song there, that’s how it has stayed. Until now.

The Revenge of Alice Cooper is the first new album involving all the surviving members of the band (guitarist Glen Buxton died in 1997 but even he appears on “What Happened to You”) since 1973’s Muscle of Love. This is no cynical cash-in though. Far from it.

In fact, The Revenge of Alice Cooper is far better than anyone might have dared to expect. From the driving biker rock of “Wild Ones” to the lairy proto-punk of “Crap that Gets in the Way of your Dreams”, the raucous take-down of celebrity culture, “Famous Face”, and the primal rock’n’roll of “I Ain’t Done Wrong”, this is a return that delivers all the way down the line. Without a doubt, it’s an album that would be making waves even without its back story, but when it comes from this band of aging freaks, it really is something special to behold.

An album that would be making waves even without its back story

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time