Album: Animal Collective - Isn't It Now?

Trippy and summery tunes from the Baltimore four-piece

share this article

Not rocking the boat nor business as usual

Animal Collective have been putting out albums of off-kilter and whimsical psychedelic pop, in various guises, for over 20 years. And while their 12th album together doesn’t exactly rock the boat and bring on a major stylistic change, it’s not really business as usual either.

Isn’t It Now? has been produced by the Grammy Award-winning Russell Elevado, who can more usually be found at the controls for the likes of D’Angelo, the Roots or Kamasi Washington. He hasn’t turned the Baltimore four-piece into a group of hip-hop soul-jazzers though nor have they seized the moment to make a desperate grab for commercial success with a set of R&B-powered pop. Instead, Animal Collective have expanded on their signature sound with occasional hints of prog rock and dream pop deep within the grooves of their longest long-player to date. This is especially apparent on the disorientating and spaced-out “Magicians from Baltimore”, which clocks in at almost 10 minutes, and the fuzzy and floaty “Defeat” with its seductive sounds of lapping waves and cosmic stream of consciousness, which is over twice as long as that.

Not surprisingly, there are also tunes that have something of the trippy Beach Boys’ sound that Avey Tare, Panda Bear, Geologist and Deakin have mined previously. “Broke Zodiac” could easily have involved an LSD-infused Wilson brother or two, while “All the Clubs Are Broken” throws in an additional hint of the Kinks, from when Ray and Dave Davies were amongst the Swinging Sixties’ most elegant troubadours. Elsewhere, “Soul Capturer” adds a bit of freeform freak-folk to the mix, “Stride Ride” brings some piano on board for some medical grade chilling out, while the more dream-like closing tune, “King’s Walk” is a warm, floaty kiss-off for this woozy and mellow album.

Animal Collective have expanded on their signature sound with occasional hints of prog rock and dream pop

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time