Album: Baxter Dury - The Night Chancers

The singer turns storyteller with a collection of skilfully drawn vignettes

share this article

“I’m not your fucking friend,” intones Baxter Dury as recent single “I’m Not Your Dog” begins. As opening salvos go, it’s right up there with the best of them, full of sneering hostility and fiery intent. As an introduction, it’s a writer’s hook – pushing us away while drawing us in.

If 2017’s Prince of Tears was an exercise in autobiographical confessional, The Night Chancers feels like Dury’s first, full-blown novel. The songs here boast a keen-eyed observation that creates a tableau into which his sharply drawn characters dive and thrive.

That’s not to say it’s not grounded in personal experience. “The only skill I’ve got is being honest,” Dury claims, and he’s clearly writing what he knows. That said, his frame of reference is as wide-angle as they come. On “Slumlord” and “Saliva Hog” he’s able to create grotesques from opposite ends of the social spectrum with an enviable economy of words, stripping back to basic building blocks, compressing meaning, and communicating volumes with intonation and pinpoint word choices.

The overwhelming sense is of life lived in between places, in the gaps that people fall down when they’re lost or overlooked. The skilfully drawn vignettes are laced with both humour: “Carla’s got a boyfriend/He’s got horrible trousers/And a small car” (Carla’s Got a Boyfriend); and regret: “You left me with the crumbs of my spare thoughts/You left me with the noise of the night chancers” (“The Night Chancers”). It all feeds into a coherent and impressively consistent narrative milieu. Dury has always been a distinctive voice, but here he seems to have found a new clarity, not just in the timbre of his tone, but also in the world he draws with it.

Musically, The Night Chancers shares the lush, widescreen feel previously brought to Dury’s music by Jarvis Cocker and Richard Barratt on their remix of 2017 single “Miami”. It’s a fuller sound that ranges from slow and low Italo arpeggio to grooves that Gainsbourg would be proud of. The pace and atmosphere of the piece are also helped immeasurably by the live orchestra, which lends a sense of storied gravitas throughout. It is, in short, rather splendid.

“Baxter loves you,” comes the refrain on “Say Nothing”, the album’s parting shot. The feeling may well be mutual.  

Below: Watch the video for "I'm Not Your Dog" by Baxter Dury


Dury creates grotesques from opposite ends of the social spectrum with an enviable economy of words

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time