Album: Black Honey - A Fistful of Peaches

Brighton rockers' third gives gloom-amped guitar voom

share this article

A peach too far

There’s a disconnect on the third album by Brighton rockers Black Honey. The music is rousing post-grunge indie rock, tuneful, full of vim, but the lyrics speak of someone deeply troubled. The mood is, perhaps, best summed up by “Rock Bottom” which states, “Rock bottom – but the floor keeps dropping.” The whole album is mired in similar mind-strife.

Singer Izzy Bee Phillips has said as much of the incongruously named A Fistful of Peaches, stating, “Most of this record is me trying to figure out where the line is between normal mental health and when you’re having breakdowns every day that then become part of normal.” The music, on the other hand, is immediate, catchy, and bounce-around upbeat. “I disassociate from the feeling/Kick the fuck off as you try to reach me/You open my hand and my palms are bleeding/And my head’s still reeling,” runs “Cut the Cord”, but the hefty ultra-produced guitar storm behind emanates pure fist-pumping triumph.

If you’re after musical originality, this is not the place. That’s not the point here. It’s an album catering to those after a well-worn, visceral guitar kick, who are attached to the idea that “authenticity” is a four-piece rockin’ out, treading a path somewhere between L7, Garbage and The Primitives but with production that pushes their sound to the epic (drummer Alex Woodward deserves special mention as he adds real roll to the rock). Because they’re deft hands at writing catchy pop songs, it’s no bad place to be, as is demonstrated by cuts such as “I’m a Man”, “Heavy”, and the aforementioned “Rock Bottom”.

In fact, they’re rightly so confident in what they do that they save two of the best songs for near the end of the album, the anthemic “Weirdos” (“This is a song for the weirdos/The anti-heroes/Won’t fit in if you tried”) and “Tombstone”, the one song that breaks the musical mould with a touch of Nine Inch Nails about it.

Phillips has implied the unhappiness that inspired this album is a thing of the past, which is to the good, but, whether despite, or because of it, Black Honey have nailed another set of contagious festival sing-along smashers.

Below: watch the video for "Heavy" by Black Honey, directed by and starring Dakota Schiffer (of Drag Race UK fame)

They’re deft hands at writing catchy pop songs

rating

3

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time