Album: Def Leppard - Diamond Star Halos

Sheffield's glam-metal master craftsmen can still deliver... mostly

share this article

This album starts and ends so brilliantly. It kicks off with a salvo of three tracks that remind you exactly why Def Leppard became one of the biggest bands in the world in the mid Eighties. They distilled the things they most loved growing up – T Rex, Mott The Hoople, Queen, ABBA – down to their rawest essences, then built up a sound using the most elaborate studio technology available at the time that was in tune with the current post-Van Halen US rock world but actually belonged entirely to them. 

“Take What You Want”, “Kick” and “Fire it Up” are archetypes of that process. They are absolutely shameless in their repetition of glam and good time rock’n’roll motifs, they are laser focused on hitting the pleasure centres, they sound like a million dollars, and they have those vocal harmonies that “Ver Leps” (as Smash Hits used to put it) spent thousands of hours honing as an unmistakeable signature. They are as joyously direct in their pursuit of the pleasure principle as any disco or house record, and they are brilliant.

The same goes for penultimate track “Unbreakable”, which resembles their huge hit “Animal” with added rock-disco beat – and the heavily Queen-indebted high drama closer “From Here to Eternity From Here to Eternity” is a grand way to close a record. Sadly, though, the middle of the album can’t really live up to it: in between these great bookends, there are way too many tracks that are way too generic, slightly countrified and very American soft rock. You could easily imagine Aerosmith or any of a few hundred lesser bands doing “SOS Emergency”, “Liquid Dust” or “U Rok Mi”, for example. 

Mind you, the two ballads “Goodbye for Good This Time” and “Angels (Can’t Help you This Time)”, are fantastic too: unmistakeably Leppard, with some immense string arrangements elevating them further. For a band 45 years into their career to still be making records that start with absolute smashers and deliver seven hefty tracks out of 15, and – crucially – mostly sounds like nobody else is no small achievement. Give this one a spin, because when they’re on form, the craft and joy of Def Leppard is like nothing else.

They are as joyously direct in their pursuit of the pleasure principle as any disco or house record, and they are brilliant

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time