Album: Frank Carter & the Rattlesnakes - Dark Rainbow

The alternative-punk rockers return with arguably their most inventive album yet

share this article

Since his time fronting the hardcore band Gallows, Frank Carter has established himself as a figurehead of modern British punk-rock. His current project, Frank Carter & the Rattlesnakes is among the most lively and exciting live acts in the UK.

On previous albums they have regularly tackled subjects such as mental health and toxic masculinity. Their last effort – 2021’s Sticky – was a free-spirted affair, cutting loose after the containment of the lockdowns of the previous year.

Having honed a streamlined, yet powerful, sound heavily tinged with punk and hardcore, combined with Carter’s unmistakable venom and wit: the troupe return with Dark Rainbow, marking out a claim for their most nuanced album yet.

Where their previous albums stayed within in the boundaries of their alternative/punk rock wheelhouse, Dark Rainbow is coloured by gothic tones. Meanwhile, Carter often turns the lens on himself, self-analysing his place as a frontman and his relationships.

Lead single “Man of the Hour” sees Carter put himself under the microscope, examining what it means to be such a prominent figure and rockstar. Coupled with a huge chorus, it will surely have festival crowds singing back word for word.

Elsewhere, “Can I Take You Home?” and “Brambles” bring in an aura of moody gloom. The latter in particular twisting and swaying as Carter’s vocals layer and play over each other. Meanwhile, personal highlight “Superstar” erupts from a murky and ominous verse into an anthemic, yet sombre, chorus with ripping huge chords.

But the plaudits must be shared, as guitarist Dean Richardson continues to shine too. As ever he employs creative, rich palette of tones and heavy, fuzzed distortion. In particular, he takes the spotlight on “Happier Days” with guitar lines and melodies that Josh Homme would be proud of.

Overall, this is without doubt the most self-explorative and thoughtful offering from Frank Carter and The Rattlesnakes. Where it falls down, though, is that it would be nice to have more depth – the 11 tracks whizz by with only the closing “A Dark Rainbow” going over four minutes. However, with the new touches Dark Rainbow stands as arguably their most inventive yet, with a cinematic, at times dramatic, feel and captivating introspection.

This is without doubt the most self-explorative and thoughtful offering from Frank Carter & The Rattlesnakes

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time