Album: Galliano - Halfway Somewhere

A joyous return for the consummate London beatniks

share this article

Some performers are born to perform. It seems obvious, but it’s not a given in the music world. Some just want to make sound, some want to compose, not all are in it to connect directly to an audience. Rob Gallagher, however, is all about that connection, and he’s never stopped doing it. It was there in his band Galliano’s genial funk from 1988 through 1997: his London beat poetry always felt like it was addressing you direct, and the band came to live above all on the live stage where he could speak to the crowd.

In the subsequent band Two Banks of Four he did admittedly step back from the mic somewhat – it was more about cosmic sonics and the singing voice of his partner Valerie Etienne (who was also his foil in Galliano) – but he always found other outlets: as Earl Zinger and General Rubbish he both recorded solo and, crucially, appeared live regularly as MC for many of his lifelong friend Gilles Peterson’s DJ sets globally. More recently he has also released two sterling albums in the duo ThE DiAboLIcaL LibERTieS – more electronically inclined, but still with his performance persona present and correct.

The return of Galliano, then, might follow a 28 year break, but with Gallagher front and centre it’s also part of a constant flow of his addressing of the world. It does exactly what Galliano always did: good natured jazz, funk, dub, disco all flowing together, packed with hooks, and with Gallagher reciting his thoughts on dancing, subculture, spirituality, city scene slice-of-life sketches and so on.

The band absolutely wear their influences on their sleeves: there are direct interpolations of Funkadelic, Eddie Chacon and Roy Ayers, as well as older Galliano songs; “In The Brakes” sounds like a Talking Heads tribute, and Gallagher’s voice having gruffened with age it becomes apparent how much his mischievous chatting style has always owed to Ian Dury. But he remains distinctive, and the band sound like they’re having the best time. If there’s a fault, it’s that these songs sound like they’re written for the live stage more than for record, but that is just impetus to get out and see them: in the meantime they’ve made a record that should lift your spirits considerably.

@joemuggs

Listen to "Circles Going Around the Sun":

Gallagher remains distinctive, and the band sound like they’re having the best time

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time