Album: Genesis Owusu - Smiling With No Teeth

Debut by new talent from Australia is a charismatic and multiform ride

share this article

Smiling with gold teeth

The debut album by Australian-Ghanaian artist Genesis Owusu is so musically restless it’s exhilarating. What’s clear is this guy doesn’t want to be placed in a box, marked hip hop or anything else. Over a wild variety of music, he adopts multiple vocal styles, reminding of beatbox genius Reggie Watts (most especially his recent Wajatta project with John Tejada). The album cover encapsulates the cinematic, occasionally garish persona that comes across during the 15 tracks. What’s clear is that Genesis Owusu is no wall flower.

Running through Smiling With No Teeth is the theme of a “black dog”. It appears again and again, from the shouty, electro-noisy opening cut onwards, apparently symbolic of oppression, both mental and racial, as well as a persona that’s a response to both. The single “Whip Cracker” makes things explicit with its bullishly stated “We don’t fuck with neo-Nazi spew”, and much more in that vein, over a 4/4 beat that eventually mutates into something akin to an early Chili Peppers groove.

Elsewhere, though, are sweet pop songs, such as the sing-along title track, which has something of Sly and the Family Stone about it, or “Looking Back”, a showtune slowie, not a million miles from Harry Nilsson. The comparisons keep coming but Owusu has his own sound, the album is of-a-piece, simply composed with a tight band, electronically burnished, retro organ often to the fore, held together by the frontman, whether he’s singing in soulful falsetto, chatting deep’n’sexy like Isaac Hayes, or staccato rapping.

Other names scribbled in my notes include Childish Gambino, Lou Reed, Funkadelic, Outkast, Gang of Four, Maxim-out-of-The Prodigy, Bill Withers, Rick Springfield (“Drown” is pure Eighties pop-rock!), The Last Poets, and Gnarls Barkley. Smiling With No Teeth brings to mind an overdose of references, but the musical magpie-ism is more Prince than pastiche. Whether he’s spitting wisdom over bongos, raging to post-punk funk, or sweetly singing “off the shore I saw a bream” on “A Song About Fishing”, Genesis Owusu, if he can gain a foothold outside his native Australia, is going to be hard to ignore.

Below: Watch the video for "The Other Black Dog" by Genesis Owusu

The musical magpie-ism is more Prince than pastiche

rating

4

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time