Album: Liam Gallagher John Squire - Liam Gallagher John Squire

Uninspiring Dad Rock that sounds pretty much as expected

share this article

No surprises: Liam Gallagher and John Squire team up

Those who were around to witness the release of the Stone Roses’ Second Coming album will no doubt remember how a record-buying public were generally left shaking their heads in disbelief when, instead of a raft of tunes echoing the magnificent “Fools Gold”, they got a stodgy disc of lumpen Dad Rock. It may have sold zillions in the 30 years since its release, but the general lack of enthusiasm that was left in its immediate wake was a major influence on the band soon going their separate ways.

Not one to be told, it seems, John Squire has now got together with Manchester’s most adept self-publicist, Liam Gallagher, to basically go over the same ground with an album that plods along in a way that anyone with even a passing interest in the duo’s careers could have anticipated without hearing a single note.

Debut single, “Just Another Rainbow” might have shot up the charts when it was released, but it’s hard to imagine it being remembered as a highlight of either Liam Gallagher or John Squire’s careers in years to come. Despite all the excitable boisterousness of the Gallagher hype-machine, nothing on the album is markedly better than any of Beady Eye or the Seahorses’ less tedious moments. It’s certainly neither “spiritual” nor “crucial” no matter what Liam might have to say.

Essentially, there’s nothing out of the ordinary on Liam Gallagher John Squire and calling one song “I’m So Bored” (which even includes the line, “I’m so bored with this song”) and another “Make It Up as You Go Along” is just a gift to any naysayers. While having a 50-something middle aged man proclaim “You should have fucked me when you had the chance” on “One Day at a Time” is just high comedy. No doubt, dyed-in-the-wool Oasis and Stone Roses fanatics will still lap up this album though. Everyone else will shrug their shoulders and move on.

Nothing on the album is markedly better than any of Beady Eye or the Seahorses’ less tedious moments

rating

1

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time