Album: Madmess - Rebirth

A head-spinning debut from the Portuguese power trio

share this article

'Rebirth': transcendental

Madmess are a Portuguese power trio who are based in London. Muscular and (mostly) instrumental stoner rock is their thing, which may not be particularly original but with the volume turned up appropriately, their schtick is pretty transcendental stuff that feels like being caught in a wind tunnel with a jet engine.

A couple of years ago, Vasco Vasconcelos, Luis Moura and Ricardo Sampaio looked like they might be ready for significant recognition (at least within the world of paisley pattern shirts and black winklepickers), with the release of their self-titled EP and some reasonably high-profile gigs planned. But as with many others, Covid soon put the kibosh on that.

Not ones to be put off, Madmess made the most of the forced down-time to compose and record their debut album, the suitably titled Rebirth, an epic space rock opus that is sure to see them do more than merely pick up from where they were forced to pause.

This first long player consists of five tracks, hardly any of which clock in at much less than ten minutes, fuelled by powerful riffing, extended guitar solos and a suitably dense rhythm section. Lead track, “Albatross” initially comes on like post-Syd Barrett, pre-The Wall era Pink Floyd with its wistful and bucolic trippiness. However, it isn’t long before things are morphing into something considerably more forceful and this full throttle, heavy psychedelia pretty much characterises the rest of Rebirth.

“Mind Collapse” is a steamroller of lairy space rock, while the title track is a blitzkrieg of heavy riffage and howling guitar solos. “Shape Shifter” builds into a tsunami of brain-frying intensity and “Stargazer” is an oceanic force of nature. This is music to spin heads and blow ear drums in no uncertain terms. It also suggests that Madmess will surely be ones to seek out should they hit the road anywhere near you in the not-too-distant future.

This is music to spin heads and blow ear drums in no uncertain terms

rating

4

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time