Album: Mavis Staples and Levon Helm - Carry Me Home

Good enough gospel but a little too bland

share this article

Moments of glory from Mavis and Levon

There is so much gospel out there that it’s not easy to stand out above the crowd. Mavis Staples, with a distinctive voice that has delivered a gritty contralto for many decades, never stops. This new release, a set of songs that were recorded in 2011, is a collaboration with the Band’s late drummer Levon Helm, a sure-fire fan of African-American church music.

It’s a only just more than a decent collection, with a few moments of glory, not least a rocking and rolling version of the classic “You Got to Move”, but there's something a little too efficient rather than ecstatic about it, even if much of the material was recorded live at Levon Helm's studio in Woodstock. There's fantastic playing by all concerned (the musicians are drawn from Levon’s and Mavis's bands), a properly sanctified-sounding group of backing singers (at their best on an a cappella “Farther Along”), and a punchy horn section which shines on a grinding rendition of Bob Dylan’s “You Got to Serve Somebody”.

Dylan is one of the keys here. He grew up with the Staple Singers – both their tremolo-guitar-laden Vee-Jay hits of the 1950s and their classics for Stax in the 1960s and early '70s. It is perhaps not surprising that The Band’s “The Weight” is included, a song with a decidedly spiritual tone. Not surprising either that Dylan should have "got religion"; an incomprehensible betrayal for many, and yet a 100 per cent logical move for a member of a generation that sought spiritual roots in African-American music as much as reaching for hippie freedom.

This is a pleasing album, but it's a little pallid compared to the best of Dylan’s live material from his gospel tours (1979-80), or Aretha Franklin’s “Amazing Grace” recordings from 1972, let alone – if we are talking of Mavis and the Staples – tracks like their deeply inspiring “Respect Yourself” (1971) or the spine-chilling “Uncloudy Day” (1959). This undeniably worthy collection lacks that sense of hovering on the edge of spiritual possession, essential to the very best of gospel – a music that can change lives.

This undeniably worthy collection lacks that sense of hovering on the edge of spirit possession

rating

3

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time