Album: McFly - Power to Play

Chart-topping British foursome turn the amps up to 11, returning to their rock'n'roll roots

share this article

Systematic, hydromatic, greased lightnin'

When McFly returned to our loudspeakers in the summer of 2020 with Young Dumb Thrills, the record marked their first in a decade. The foursome, comprised of guitarist/vocalist Tom Fletcher, bassist/vocalist Dougie Poynter, guitarist/vocalist Danny Jones and drummer Harry Judd, had no qualmed about admitting the struggles that'd faced coming back together as a band (their lackluster 2010 release, Above The Noise, was very much the sound of a group hitting peak commercial heights with the overprocessed artwork and digital sounds to match).

But, whatever your preconceptions of a band like McFly, their musical accolades are undeniable, racking up seven UK No. 1 singles, five top-10 albums, six sold-out tours, and 10 million in record sales worldwide during their near-20-year career. And, whilst Young Dumb Thrills, was a huge step forward for the group (both in the physical reunion but also in the production), the output came across a little saccharine at times. Thankfully, after the last few years back out on the live circuit, Power To Play is a defiant return to their rock'n'roll roots.

Single “Where Did All The Guitars Go?” (somewhat ironically given their own forays into polished pop), questions the current landscape of bedroom beatmakers in favour of angry singalongs troubled teens can chant to in sweaty gig venues. Poynter’s pop-punk fuelled “I’m Fine” delivers on that front, as he contemplates the rest of his (band?) mates settling down. Better yet is the chaotic call of “Crash” with its stuttering dual guitars and an immense drum roll that thrusts us into the last chorus all in under two minutes.

Alongside the mighty riffs (see: absolute standout “Land of The Bees”, essentially their "Seven Seas of Rye" with May-esque magnitude on the fretboard), there are also some Genesis-inspired Eighties drums courtesy of Judd and Van Halen “Jump”-style parping keys on “Route 55”. The latter track, as the name might suggest, channels a lot of the best stonewashed double denim Dad Rock (perhaps not surprising giventhree quarters of the band are, in fact, dads themselves now) encouraging us all to get the roof down and the shades on.

Forget “Thunderstruck”. Pass me the flannel shirt and fire up Power To Play behind the wheel for a stadium-sized summer of fun.

Below: Watch the video for "God of Rock & Roll" by McFly

Channels a lot of the best stonewashed double denim Dad Rock

rating

5

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time