Album: Michael Franti & Spearhead - Work Hard & Be Nice

Ex-Beatnig and Disposable Hero of Hiphoprisy lurches towards the middle of the road

share this article

Michael Franti: positive vibes but tepid sounds

It’s over 30 years since Michael Franti entered the public arena, howling “Television – drug of the nation” backed by harsh, industrial sounds and explosive beats, as frontman for the Beatnigs. He then produced the Spare Ass Annie and Other Tales album with William Burroughs, as part of the visionary hip hop duo the Disposable Heroes of Hiphoprisy, before embracing funk, soul and reggae sounds, both as a solo artist and while fronting Spearhead. It is, therefore, something of a shock that the musical influences for his latest album, Work Hard & Be Nice, seem to come from the same place as the ever-bland Lighthouse Family.

While popular thinking finally edges closer to Franti’s viewpoint in these uncertain times, it is again refreshing to hear from a man with a heart that has consistently been in the right place. However, a bit of grit really wouldn’t have gone astray in both the music and the lyrics of this album.

To some extent, Work Hard & Be Nice sounds like an attempt to bring positive, hippy vibes back to the mainstream without scaring the horses with challenging music. Feelgood, summery guitar pop is certainly the order of the day here, without any hint of irony or snarkiness. “Bad shit happens but good shit happens too” he croons on “Good Shit Happens”, while he leads a call and response of “Let’s be friends” with a choir of backing vocalists on “The Friends Song”. It’s all commendable stuff in our present situation, but it is also incredibly tepid musically.

Given Franti’s previous ability to make his point over music of some substance, Work Hard & Be Nice comes as a saccharine disappointment. If, as it seems, his goal remains as much political as it is artistic, let’s hope he’s able to regain a bit of sonic ballast to support the words for his next project.

A bit of grit really wouldn’t have gone astray in both the music and the lyrics of this album

rating

2

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time