Album: PUP - Who Will Look After The Dogs?

A compelling balance between absurdity and sincerity

share this article

PUP’s Who Will Look After The Dogs? is a raw and emotionally charged album that captures the band’s chaotic spirit while showing clear growth in both sound and subject matter. Across 12 tracks, the Toronto group delivers a mixture of driving punk energy, wry humour and moments of vulnerability. It is a loud and heartfelt record that might not hit the heights of their best work, but still leaves a strong and lasting impression.

Lyrically, frontman Stefan Babcock leans into personal struggles with disarming honesty. Themes of isolation, self doubt and fractured relationships run through the album, but they are often presented with a wink rather than a wail. The balance between absurdity and sincerity keeps things compelling. There is a sense of someone trying to laugh while falling apart, and that tension gives the album much of its emotional pull.

Musically, PUP sound confident and committed. “Get Dumber” and “Paranoid” lean into the band’s signature mix of humour and anxiety, delivered at full throttle with sharp riffs and relentless pacing. The album maintains a high energy level throughout, rarely slowing down. One exception is “Hunger for Death,” a slower, funnier, but oddly sweet track that offers a moment of levity and charm without losing the band’s emotional edge. It serves as a welcome breather while still fitting the overall tone of the record.

The vocals can be difficult to admire at first. Babcock’s voice is strained and jagged, almost shouting at times, but as the album progresses it begins to feel right for the stories he is telling. What sounds abrasive early on becomes emotional texture by the end.

Who Will Look After The Dogs? is not quite a landmark album for PUP, but it is a solid and honest one. It plays to their strengths while exploring new ground, making it a worthwhile addition to their catalogue.

A mixture of driving punk energy, wry humour and moments of vulnerability

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time