Album: The Raveonettes - Sing…

The Raveonettes add their twist to 10 popular tracks with new cover album

share this article

Adding an ethereal touch

Indie rock duo the Raveonettes add an ethereal touch to 10 popular songs in their latest album, made up entirely of covers. Sing…, which features renditions of tracks by Gram Parsons, the Everly Brothers, the Cramps, Buddy Holly, and the Velvet Underground, is a soothing dream pop delight.

The sweetly curated track list displays the dreamy vibe of the “Love in a Trashcan” singers well. Choices including the Hollies’ “Wishing” and the Shangri-Las’ “Leader of the Pack” complement the soft 1960s feel perfectly with their innocently romantic lyrics, but the reassuring simplicity of opening track “I Love How You Love Me” continues even into songs with more explicit themes. “Venus In Furs”, for example, is sang with the same sweetness as “I love how your eyes close whenever you kiss me”, offering a new lens to experience the songs through. They’re tied together well by the shoegaze approach to the music, all songs benefitting from an attractive ambiguity because of the soothing style.

Highlights include “All I Have to Do Is Dream”, the original by the Everly Brothers having been described by guitarist and vocalist Sune Rose Wagner as “the perfect lullaby”; and already heavily covered “Will You Love Me Tomorrow”. The choice for Wagner to take the vocals on the latter works well. The song, best known for its performances by the Shirelles and Carole King, already has multiple impressive cover versions, including Amy Winehouse’s distinctive rendition, and Taylor Swift’s remarkable 2021 Rock & Roll Hall of Fame performance. The male vocals and relaxed feel offer a new perspective that fits well with the rest of the album.

The influence that many of the original songs had on the Raveonettes music is apparent through listening to Sing…, and the album does well to pay homage to them whilst also offering fresh listening for fans.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
They’re tied together well by the shoegaze approach to the music

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time

Test block by MSD

Here is some text in the block

Here is some text in a div