Album: Sheryl Crow - Evolution

The song remains pretty much the same for US soft rocker

share this article

Change at a snail's pace

During the mid to late 90s, Sheryl Crow and other grunge lite-friendly female artists like Alanis Morrisette were all over the airwaves. Sheryl’s particular schtick being a soft rock stew of pop/country/folk that threw up monster hits like “All I Wanna Do”, “If It Makes You Happy” and “Everyday is a Winding Road”.

Thirty-odd years on and Sheryl seems to have been relatively quiet for some considerable time. So, it is something of a surprise to hear that Evolution is her 12th album and in 2023, she was inducted into the Rock and Roll Hall of Fame. But then, she had announced that her previous album, Threads was going to be her last, despite reaching a respectable 30 on the Billboard charts.

Five years on though, and she’s back with a set of tunes that stay very much in Sheryl’s well-defined lane but that dispenses plenty of the homilies and pearls of wisdom that can come with age and experience, but which all pretty much assure us all that “everything’s going to be alright in the end”. Hence, we hear that “you can’t stop the rain” but “we can find a way to stop the pain” on “You Can’t Change the…” and that “I’ve lost the part of me that you once loved” but we can “make it if we both stay” on “Don’t Walk Away”. While, on “Where” Sheryl finds herself bemoaning that “to be free means learning not to care”.

Evolution is somewhat predictably a soundtrack of life-affirming but slightly knocked-about beige wisdom wearing a pair of cowgal boots. Still, it’s unlikely that anyone was looking for a significant reinvention of her sound this far down the road, even if the title track does come on a bit like Andrew Lloyd Webber and Tim Rice’s musical theatre channelled by Heart.

It is somewhat predictably a soundtrack of life-affirming but slightly knocked-about beige wisdom wearing a pair of cowgal boots

rating

2

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time