Album: Sparks - A Steady Drip, Drip, Drip

Arch rhymes and secreted emotion from veteran LA ironists

share this article

Apparently a freaky, brilliant novelty in 1974, Sparks have proved eternally invincible: the synthpop duo template, glam and disco avatars, chasing the pop grail across the globe as their latest mode hit the local chart mark. Lightly worn resilience and diligent application underpin their endurance (Russell Mael told me 20 years ago that he felt a professional responsibility to remain a good-looking singer). This 24th album follows the Top 10 UK success of Hippopotamus, and precedes a French film musical of Sparks songs sung by Adam Driver and Marion Cotillard. Though Ron Mael’s lyrics address current mores, they exemplify a lifetime’s dryly satiric American Songbook craft.

You could slip them into the classic Sparks album of your choice, our evolution past their themes of absurd hubris and self-delusion sadly a work awaiting progress.

Music is frenetic and staccato, Russell’s vocal lines concertinaing and elastically expanding, riding the dense rapids of Ron’s world-view. Just quoting couplets would entertainingly suggest the benignly acidic puncturing of foibles. “It’s worse than I thought, I’m not just overwrought,” the protagonist realises on “I’m Toast”; “The Pope is on the floor laughing/The cardinals roar, they’re backslapping,” knowing “Sainthood Is Not Your Future”; and “iPhone” turns a septuagenarian grump into a finely extravagant conceit, in which Adam berates Eve, the Gettysburg address is paused to chide, and “Friends of Mrs. Jobs/Often heard her sob”: “Put that fucking iPhone away and listen to me.” Stephin Merritt is a rare fellow traveller in such underground Broadway tropes, arch rhyming its own satisfaction (Elvis Costello has the dark wit, but lacks the cool detachment to hit his targets minus moral entanglement).

It’s hard to imagine the Maels’ lives as native Los Angelenos, ironists largely without honour in their own literalist land. “Pacific Standard Time”, in which Ron’s sleekly modern synths essay stately, remorseless LA motorik is, though, an obliquely heartfelt portrait of a seasonless city somehow beyond space and time. “Our inconsistency is our consistency,” Russell sings. “Our insincerity is our sincerity.” These veteran Californians could hardly say it plainer.

 

It’s hard to imagine the Maels’ lives as native Los Angelenos, ironists largely without honour in their own literalist land

rating

4

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time