Albums of 2015: The Suicide of Western Culture - Long Live Death! Down With Intelligence!

Spanish electronica with plenty of wit that appeared from nowhere

share this article

Long Live Death! Down With Intelligence!: sonically enthralling

To say that The Suicide of Western Culture’s Long Live Death! Down With Intelligence! appeared without fanfare in November would be an understatement. Emphatically underground without even a listing on Amazon UK, the Barcelona duo’s record company were clearly not expecting great sales from their third album. Nevertheless, The Suicide of Western Culture certainly provided a sonically enthralling disc that is head and shoulders above anything released by any of their leftfield fellow travellers in 2015.

Long Live Death! Down With Intelligence!’s low tech approach marries a post-rock attitude to a palette of raw electro-drone sounds that create plenty of depth as well as a lively groove that is fizzing with possibilities. The vocals on the magnificent title track and “Return to my parents’ hometown in Andalucia” come from looped samples of speech, while on tracks like the paranoid “Beware of the Fifth Column” spoken monologues are manipulated to present a wry and witty view of the world. That said, there is nothing dour or worthy about it. The whoozy synths of “Dysplasia”, trancey grooves of “Drugs bring me closer to you” and lead single “Still breathing but already dead” are all most certainly intended to move hips just as much as blow minds.

Other albums that are worth a listen from 2015 include Lightning Bolt’s joyous, high-speed noise rock opus Fantasy Empire which showed the drum and bass guitar duo to still be very much on top of their game after almost 20 years. Sleaford Mods gave a fiery state of the nation address with Key Markets, whose claustrophobic grooves and vitriolic stream-of-consciousness vocals got plenty of popular attention. Courtney Barnett’s Sometimes I Sit & Think, & Sometimes I Just Sit, however, provided the year’s best album title and, in “Pedestrian at best” the best single. Unfortunately, that song also had the worst video of the year.

A low tech approach that creates plenty of depth as well as a lively groove that is fizzing with possibilities

rating

5

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time