CD: Alan Broadbent - Developing Story

The pianist's orchestral magnum opus is packed with extraordinary things

share this article

From lyrical ardour to swinging effervescence: Alan Broadbent

Hearing the London Metropolitan Orchestra ripping a hole in the silence with the impassioned opening theme of the three-movement "Developing Story", I’m not entirely convinced that the New Zealand-born, US-based pianist, composer and arranger Alan Broadbent doesn’t have any Russian blood flowing through his veins, despite the two-time Grammy winner's assurances to the contrary when I interviewed him last year.

For its sheer beauty of sound, from hushed simplicity to breathtaking climaxes – not to mention superb performances from both orchestra and Broadbent's jazz trio featuring bassist Harvie S and drummer Peter Erskine – the album's title track and principal work is one of the most richly atmospheric orchestral jazz scores you’re likely to hear. Whether it's the lyrical ardour of the central slow movement, which elicits one of many heartbreakingly lovely solos from Broadbent, or the swinging effervescence of the final movement, the work grips you to the very end. 

Tenor sax player Dexter Gordon called Tadd Dameron the "romanticist" of the bop movement, so it’s perhaps not surprising that Broadbent – surely the romanticist par excellence – should be attracted to the melodic beauty of Dameron’s blues-flavoured “If You Could See Me Now”, which shimmers here with a Ravelian elegance.

Opening with Mahlerian French horns, Broadbent’s arrangement of Coltrane’s “Naima” stands out as something extraordinarily special. The London Metropolitan Orchestra play out of their skins, with pianist and orchestra building to a coruscating climax of astonishing force.

Excerpted from the iconic Kind of Blue, “Blue in Green” provides another feast for the ears with a chart that captures both its apparent weightlessness and iridescence to perfection. Written by Broadbent for Quartet West, “Lady in the Lake” illustrates the expressive richness of his pianism, while the dazzling symphonic arrangement of Miles Davis’s “Milestones” has a bustle and energy that appears to channel Stravinsky’s Petrushka. Broadbent’s lullaby-like “Children of Lima” brings this absolute gem of an album to a close.

@MrPeterQuinn

Watch a clip about Developing Story

The dazzling symphonic arrangement of 'Milestones' has a bustle and energy that appears to channel Stravinsky’s Petrushka

rating

5

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time