CD: Bosco Rogers - Post Exotic

Anglo-French duo’s debut is a psychedelic guitar pop masterpiece

share this article

Post Exotic: raucous psychedelia from the power pop end of the street

Anyone looking for some psychedelic pop to at least give the illusion that we might now actually be in the middle of summer could do much worse than try out the debut album by Anglo-French duo Bosco Rogers. Their 21st century twist on the Monkees’ good grooves is just what the doctor ordered, and Barth Corbelet and Del Vargas’s sun-drenched harmonies and catchy, fuzzy guitars are guaranteed to generate big smiles and some serious rump-shaking from even the most unconfident of dancers.

Post Exotic comes straight out of the traps with a bucket load of swagger and the knowing smirk of “Anvers”. “I think I’d better take my soul and sell it to the cops for a pot of gold” they croon to an uplifting B-52s-esque wig-out, and all is good with the world. “Beach! Beach! Beach!” lays down some groovy organ and surf guitar sounds that point emphatically to the dance floor, while “Drinking for Two” comes on like Arthur Lee’s Love with their dancing shoes on. This self-produced cracker is no retro hoedown though, and Bosco Rogers’ kaleidoscopic vision is firmly rooted in the here and now. The anthemic new single, “True Romance”, even offers a knowing commentary on the pursuit of hedonism in a world that can look somewhat bleak – and what could be more current yet timeless than that?

As Barth Corbelet says, “I think the trick is to be aware of the world, but not get dragged down by the darkness that surrounds us. We prefer life.”  Post Exotic is certainly a sonic endorsement of that philosophy, and comes fully recommended to anyone who likes raucous psychedelia from the power pop end of the street.

 

Their sun-drenched harmonies and catchy, fuzzy guitars are guaranteed to generate big smiles and some serious rump-shaking

rating

5

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time