CD: Bryan Ferry - Avonmore

The song remains fairly similar... but that's OK

share this article

Remind us when you last looked like this, Bryan?

If you glanced too hastily at the sleeve you might think Bryan Ferry had made another album called Avalon, that epitome of the sleek autumnal heyday of Roxy Music. But no. Avonmore, though it may sound like a single malt whisky, is named after Ferry's studio complex in West London, not far from Olympia which gave him the title of a previous album in 2010.

Avonmore is a worthy addition to the string of solo albums (the self-written ones, rather than his parallel stream of covers discs or the peculiar Twenties throwback The Jazz Age) which Ferry has made since the Eighties, with 1985's Boys and Girls having established the template. Produced and arranged with a fastidiousness bordering on psychosis, usually with Rhett Davies at the control board (as he is here), a Ferry album is the Savile Row suit of popular music. Tasteful, trustworthy and aghast at the idea of vulgar displays of emotion, these artefacts are virtually Edwardian in spirit, despite the oodles of cutting-edge technology which has been poured into them.

"Loop De Li" is the immaculately conceived opener, lovingly machined by a swarm of the finest musicians that it's possible to bribe into a studio. It's one of those perfect Ferry grooves, rubbery and funky and infinitesimally laced with micro-accents and tiny instrumental details. Fittingly, its title is delectably singable nonsense.

Despite a cast list that boasts Nile Rodgers, Mark Knopfler, Johnny Marr and Chris Spedding, there's nothing here that threatens to topple "Slave To Love", that Koh-i-Noor of mature Ferry-hood, but fans will happily groove along to the Milk Tray melodrama of "Midnight Train" or the ironic "passion" of "Driving Me Wild". Bry's voice is going a bit soggy round the edges, but he manages to muster some Essence of Croon for "A Special Kind of Guy".

He couldn't resist a cover or two, but should have. "Send In the Clowns" smothers Sondheim's acidic edge in querulous mawkishness, while Robert Palmer's "Johnny and Mary" wasn't much cop to begin with, let alone after Bry has had his way with it. But hey, at least the old boy's doing his best to get out there and kick some ass.

Overleaf: watch Bryan Ferry perform "Loop De Li" on Later with Jools Holland

Produced with a fastidiousness bordering on psychosis, a Ferry album is the Savile Row suit of popular music

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time