CD: Cat Power - Sun

Chan Marshall bounces back with her most sonically ambitious album to date

share this article

Could 'Sun' be Cat Power's 'dance' album? At times, suprisingly, yes.

You’ll know by now, perhaps, that Sun is supposed to represent a “rebirth” for Chan Marshall, the famously intense singer-songwriter who performs as Cat Power. Since the release of 2006’s The Greatest Marshall has shunned her own material, instead reinterpreting Memphis soul and Delta blues in a sensual, dusky croon. When your songs are as personal, as taut and extreme as some of Marshall’s work can be, however, there must be times it pays to take a step back.

It may sound as if I’m trying to say that Sun is one of those albums is difficult to listen to, but it’s not like that at all. It’s many things - sonically challenging, wildly ambitious, sprawling, experimental and possessed of an Iggy Pop guest vocal on a track that hits eleven minutes in length - but never difficult. A combination of bass drum, swirling synth and vocals that sit so low in the mix that snippets, rather than full lyrics, emerge like snatches of overheard conversation; it creates an overall effect that at times verges on the euphoric.

The circumstances surrounding Marshall’s break - substance abuse problems, rehabilitation, the quiet serenity of a long-term relationship that suddenly imploded - have been publicised enough to colour some of those snippets despite the listener’s best intentions which is why the album’s very first couplets, on “Cherokee” (“I never knew love like this ... I never knew pain like this”) prove misleading. Sun is not about surrender, but about control. By writing, performing, recording and producing the album in its entirety Marshall has crafted a statement of intent that is no less honest for its tightness and strength.

The most surprising thing? You can dance to it. Not all of it, and probably not in a way that’s going to win you any prizes, but there is something so powerful and freeing about the statements on the title track, “3, 6, 9” and “Real Life” that you won’t be able to help yourself. On her travels, Marshall has learned that it’s up to the individual to be her own superhero - and perhaps that’s the most important message of all.

Listen to "Ruin" by Cat Power


Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Snippets, rather than full lyrics, emerge like snatches of overheard conversation

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time

Test block by MSD

Here is some text in the block

Here is some text in a div