CD: Chaka Khan - Hello Happiness

The Queen of Funk gets down with her latest comeback

share this article

Hello Happiness: funk and escapism

Chaka Khan’s last album, 2007’s Funk This was billed as the Queen of Funk’s comeback after her 80s and 90s purple patch. But after its release, apart from the odd cameo vocal on other people’s tracks, she stepped back out of the spotlight and retreated back into relative obscurity. 12 years on and she’s back again with the groove-driven Hello Happiness – an album with her new label owners, former Major Lazer man Switch and Ruba Taylor’s contributions all over both the songwriting and the production. Gone are the anthemic dancefloor vibes of “Ain’t Nobody” and “I Feel For You”, to be replaced by a seam of Seventies funk and disco jams – an unexpected but pleasant surprise.

“Don’t Cha Know” is a Seventies funk guitar and synth monster, dowsed in George Clinton Parliament-Funkadelic vibes and a sampled Flavor Flav “Come on now!” loop. Like the opening title track, where Chaka croons “If you’re feeling unsure / I’ve got the cure”, it is the soundtrack to the dancefloor as a place to break free, where swinging hips and funky feet are enough to wave the blues away. Chaka sure doesn’t have anything to say about the big bad world but pure escapism certainly has its place in these uncertain times.

Hello Happiness isn’t just an ode to heady Seventies disco vibes though. “Too Hot” is a jazzy-blues number with a funky spine and “Isn’t That Enough” even the boasts a reggae-funk groove, with an ample serving of dubwise production. However, while Switch and Taylor’s influence is obvious throughout the album, Chaka’s singing voice is remarkably intact, given that she’s now well into her sixties and her former bad habits. Let’s hope she sticks around for a bit longer this time - before she really does knock the singing game on the head for good.

Pure escapism certainly has its place in these uncertain times

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time