CD: The Darkness – Easter is Cancelled

The comedy metallers are back with a smirk

share this article

The Darkness: laughing again

The Darkness have become something of an institution in British rock music since exploding onto the scene with their 2003 debut album, Permission to Land and its breakthrough single “I Believe in a Thing Called Love”. Over-the-top stage costumes and Justin Hawkins’ falsetto vocals may have been their trademarks for almost 20 years, but their humorous take on hard rock continues to raise smiles everywhere. Easter is Cancelled, needless to say, does little to change their somewhat individual take on a genre that is not usually renowned for having a sense of humour.

Hawkins’ dramatic singing style and laugh-out-loud lyrics, his brother Dan’s Queen and Thin Lizzy-like guitar playing, and a smattering of power ballads are still in place, but unlike many humorous records, Easter is Cancelled can stand way more than a couple of spins before listener attention starts to wander. In fact, The Darkness’ latest album boasts more than a few tunes that might be expected to be part of their live set for many years. In particular, “Choke on It” and the title track could well receive the kind of attention as their previous highlights for some time to come.

Of course, the humour does wear thin in places, especially on power ballad “Deck Chair”. But there is plenty else to maintain the giggle factor, lead single “Rock and Roll Deserves to Die” being a case in point. Elsewhere, Hawkins’ pop metal biography “Live ‘Til I Die” tells of his teenage years, when “I became a subject of a campaign of ridicule”. If anything, this is something that he has embraced over the years and turned to his advantage. After all, it would be difficult to imagine The Darkness becoming overly serious and knocking out some historical pomposity, like Sabaton’s recent First World War-mining opus – and we’re all the better for that.

The Darkness’ latest album boasts more than a few tunes that might be expected to be part of their live set for many years

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time