CD: Franz Nicolay - Do The Struggle

Third full-length from former Hold Steady man defies characterisation

share this article

Never trust a man without a horror story: Franz Nicolay

Describing the music of Franz Nicolay is a formidable task: it’s almost as easy to imagine the work of some of the bands he has loaned his considerable talents to in the past - most notably during his five years as a member of The Hold Steady - and then imagine the exact opposite. As proficient on accordion, saw and banjo as he is on keyboard or guitar; Nicolay’s music fuses elements of folk and punk with polka, gypsy and klezmer influences to create an articulate, joyful mix that is always entertaining.

At least, that’s how I would have described it before my first listen to Do The Struggle, Nicolay’s Kickstarter-funded third release. Nicolay, a seemingly tireless live performer, honed many of the album’s 10 tracks on the acoustic folk-punk circuit over the two years following the release of literary-inspired second album Luck and Courage, but as befits a constant reinventor little here sounds familiar. Produced by oktopus of experimental hip-hop duo Dälek, Do The Struggle combines dark, industrial beats with Nicolay’s usual instruments and often witty lyrics to create an album that is challenging, clever and more than a little unsettling.

“Never trust a man without a horror story,” Nicolay sings, a stand-out refrain from album opener “The Hearts of Boston” that succinctly describes his songwriting. Nicolay’s stories are not usually immediately horrific but as words tumble from his lips at speed they create partial pictures, leaving the listener to fill in the blanks. “You required some danger, so I acquired a gun” the song continues, like a modern-day Bonnie and Clyde who later tracks take on a journey via the Eiffel Tower and along the ill-fated Berlin-Baghdad railway.

The album is as musically diverse as it is lyrically clever: the title track is bass-heavy and chaotic; alterna-love song “Did Your Broken Heart Make You Who You Are” riffs on The National before its gorgeously-sung, rich chorus and “The Day All The Leaves Came Down” a self-contained miniature rock opera which calls back to earlier tracks. With more to discover on every listen, this is an album that cannot come recommended highly enough.

Watch an early performance of "Hearts of Boston" below


As words tumble from his lips at speed they create partial pictures, leaving the listener to fill in the blanks

rating

5

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time