CD: Iness Mezel - Beyond the Trance

Trance of a more primeval, organic kind than you might be used to

share this article

Iness Mezel’s manifesto for spiritual independence also happens to rock like hell
Iness Mezel’s manifesto for spiritual independence also happens to rock like hell

No, not “trance” in the sense of galloping four-to-the-floor electronic music made by people on Ecstasy for people on Ecstasy. This trance is the original ritualised half-conscious state produced by fast, intensely repetitive, rhythmic tribal music… OK, now I’m thinking about it, we are kind of on the same page here, you just have to appreciate that what this French/Italian/Algerian/Kabyle singer-songwriter is interested in is the spiritual origins of the braindead quantised noise favoured today by the average clubber.

She is aided and abetted on this, her third album, by sometime Robert Plant guitarist, Tinariwen producer and musician in his own right, Justin Adams. Justin likes a good blues or rock riff, and lays them on thick and opaque all over Iness’s haunting, hypnotic songs and it works surprisingly well. She’s a powerful open-throated vocalist and a versatile song writer, so despite Adams’s full-on production which weaves a maelstrom of pounding percussion, banjo, lute, kora and violin, it’s still the songs which remain strongest in the memory.

These songs include the admirably forthright “Amazone” which seems to be a manifesto for spiritual independence with its line, “I shall take the veil off, study, vote and exist”. But my personal favourite is “Strange Blues”, a slow, prowling atmospheric blues, finished off with exquisite arabesque detailing and cinematic atmospherics. Like all great songs any attempt to label it falls woefully short, but if you liked Flowers of Romance-era Public Image Ltd then this should also float your boat. Subject-wise it’s another curve ball in that it’s a tribute to journalists (yes, journalists) who risk their lives when reporting from the world’s trouble spots.

The next song up, “Tahkei’t” – with its gentle acoustic guitar and violin arrangement - makes one wonder what Joni Mitchell would have sounded like had she been born Algerian. So, yes, there’s much diversity in this wider definition of the word "trance". This is also a remarkably cohesive album given its stylistic diversity, and one I suspect will end up on my favourites list at the end the year.

rating

0

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time