CD: Kim Wilde - Wilde Winter Songbook (Deluxe)

As comforting and predictable as mince pies

share this article

Kim Wilde - a cosy Christmas

As many colleagues have remarked over the past week, Christmas is that time of the year when, musically speaking, all bets are off. Whilst some prefer the season's more artsy offerings, personally, I still enjoy the soothing and traditional. Which is why, as the wine is mulling and fire crackling, I may well be tempted to dip into the Wilde Winter Songbook: this new deluxe edition is a big soft hug of festive classics and Wilde originals.

Proceedings start with a rousing duet of “Winter Wonderland”, featuring Rick Astley having a decent stab at some old time crooning. The album, however, is not all tinsel. Some (slightly) less obvious choices follow. Most notable amongst them is Kim’s treatment of Fleet Foxes’ “White Winter Hymnal” which fans of folk-rock will know is a lot darker than it sounds. Kim and Marty Wilde's version, though, allows the lush harmonies to obscure the lyrical imagery and the overall effect is, appropriately, distinctly cosy.

The deluxe set also adds four original compositions to the original six. For the most part, Kim's tunes are soft and likeable. “Hope”, “One”, “New Life” and “Song for Beryl” may be a little sombre and reflective, but, being placed where they are they break up the mood nicely. And when you've tired of being mellow, there’s “Hey Mr Snowman” which sees Kim’s niece Scarlett joins her for some Andrews Sisters’ style fun.

It segues perfectly into “Rocking Around the Christmas Tree” where Nik Kershaw reprises the role Mel Smith took some years back. This – the fun stuff – is, of course, what people will really buy this album for, and with good reason. If you’re in the market for wholesome yet cheeky festive delights, you're certainly going to enjoy getting stuck into “Let It Snow”. Or, indeed, my favourite – Kim’s stripped-down version of “Last Christmas”.

Overleaf: Kim Wilde and Rick Astley sing "Winter Wonderland"

A big soft hug of festive classics and Wilde originals

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time