CD: Kode9 & The Spaceape - Black Sun

Can deep electronica and politicised dub poetry escape worthiness?

share this article

Kode9 & The Spaceape's 'Black Sun': 'An endlessly listenable and quite timeless album'
Kode9 & The Spaceape's 'Black Sun': 'An endlessly listenable and quite timeless album'

There's something about this album that feels as if it's already existed for a long time. Full of post-apocalyptic images of smoke, dust, decay and weakness, and themes of struggling individuals and implacable political forces, it thematically fits with the works of a long line of acts who positioned themselves against the fear of nuclear armageddon and the seemingly immovable Conservative government in the 1980s. Its mix of Caribbean-influenced soundsystem culture and dub poetry with an edgy alternative experimentalism, too, harks back to the post-punk genre collision of Dennis Bovell, On-U Sound, Renegade Soundwave and the like, 25 or more years ago.

But, paradoxically, as anyone with half an inkling about Kode9 and the Hyperdub label will expect, it is very much of the now, too. The sparkling detail of the synthesiser work that oozes around the beats and lyrics, and the impeccable ear for the current rhythms of the zone where council estate pirate radio culture bleeds into more leftfield dance scenes, make it unquestionably an album of the third millenium. There is no reworking of the past, nor any direct referencing of it, but there is a sense of similar aesthetic responses emerging from similar conditions. It leads to a kind of dislocation, a short-circuiting of time zones which one guesses may well be deliberate given that the duo's previous album was called Memories of the Future.

If all this makes it sound grim and worthy, it's not. Kode9's immersion in club music means there is an inescapable sensualism and compelling druggy, synaesthesic quality even to his starkest and least danceable pieces – and Spaceape's vocal is an atmospheric instrument, words that could sound adolescent or preachy from lesser vocalists placed elegantly in the wider audio picture to subtly powerful effect. The closest obvious parallel might be the sexily claustrophobic murmerings of Tricky's glorious Maxinquaye album, but this is much more elegant in its weirdness, a high-tech and strangely lush landscape of dark imaginings and fierce pride. It may not be pushing as fast into the future as some of the younger acts Kode 9 has signed to Hyperdub, but to expect it to is missing the point: this is not just a sonic experiment or a set of peak club tracks but a considered, endlessly listenable and quite timeless album.

Listen to Kode9 & The Spaceape's "Am I"

Words that could sound adolescent or preachy from lesser vocalists are placed elegantly in the wider audio picture to subtly powerful effect

rating

0

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time