CD: Little Mix - DNA

Can a group with its own personality survive an X Factor win?

share this article

DNA: by committee

Well that's a shame. Little Mix were likable, talented winners of The X Factor – four times Everygirl in clashing neon, funky, funny, vulnerable but self aware. They proved repeatedly on the show that they could sing and then some, and even though they were a thrown-together group harmonised like they were sisters. Their most memorable turn, doing En Vogue's “Don't Let Go”, perfectly caught the beginning of the current wave of nostalgia for the great 1990s R&B girl groups, and when they won it felt like they could be an actual characterful pop band in the way the Sugababes and Girls Aloud were and, say, The Saturdays could never quite be.

Their first single proper, after the standard winners' Christmas number one, was/is great too – but rather ominously, “Wings” kicks this album off, as if to shout out that they don't have anything else as attention-grabbing. And they don't. There are some good bits, and some small attempts to keep the rough human edges that made LM so charming as they ascended The X Factor greasy pole, but really it's mostly a hodgepodge of committee design, migraine production and the kind of worthy whineyness we'll never escape post Emeli Sandé.

The 90s R&B references are ladled on – a De La Soul psuedo-cover in "How Ya' Doin", a guest spot from TLC's T Boz on the admittedly crunchy "Red Planet" – but really it's shrill, autotunemungous 2010s mall-pop through and through, with obligatory crashing dubstep flourishes and all the character produced and focus-grouped to within an inch of its life, then focus-grouped some more. A lost opportunity.

It felt like they could be an actual characterful pop band in the way the Sugababes and Girls Aloud were

rating

2

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time