CD: Maximo Park - Risk to Exist

Longstanding indie rockers offer up a sprightly lyrical and musical twist

share this article

Reading between the lines

It's easy to presume that the early ‘00s indie boom just fizzled away. Not so. Many of those bands have had successful albums reasonably recently. The Fratellis? Check. The Wombats? Check. The Kooks? Check. Maximo Park’s last album, 2014’s Too Much Information was a Top 10 hit. In truth, though, Maximo Park were never landfill indie. For one thing, their first three albums arrived with the blessing of electronic maverick label Warp. For another, their 2005 single “Apply Some Pressure” remains a deathless, dynamic pop-rock belter. And their sixth album, put together in Chicago with Norah Jones/Beck producer Tom Schick, isn’t really indie at all.

Risk to Exist has been touted as Maximo Park’s response to the car crash of current events that have overtaken the world lately and, indeed, it opens with the lines “You forgot to tell the truth and now it’s too far away/When the auditors add it up in the books, will you keep them away?” (from the loose-limbed, bouncy “What Did We Do to Deserve This?”. So, while there are no agitprop punk assaults on Trump and Brexit, the lyrical tone throughout is full of narky poetry and pokey metaphors, accentuated by singer Paul Smith’s rich Northern accent.

It is, however, the musical style that’s most striking. From the Supertramp-go electro-indie of “I’ll Be Around” to the Talking Heads-go-yacht-rock of “The Hero”, the whole thing is riddled with blunt funkiness of an early Eighties Factory Records band, but updated. And, happily, they’ve not lost their knack for catchy choruses: “Work And Then Wait”, the Roxy-Music-go-punk “The Reason I Am Here”, and the unarguable title track, to name but three. Although “Make What You Can” is also fairly irresistible, boosted by the chorus “You’ve got to make what you can but the future gets further away/It gets so far away that I find myself afraid that everything that I’ve worked for will be taken away.” Maximo Park are on form. Their fans will love this and anyone ready for pop music feistily irritated with the state of things would do well to lend an ear.

Watch the video for "Get High (No I Don't)" by Maximo Park

While there are no agitprop punk assaults on Trump and Brexit, the lyrical tone throughout is full of narky poetry and pokey metaphors

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time