CD: The Menzingers - Rented World

Philadelphia punks rise to the challenge of following up their masterpiece

share this article

Heart-on-sleeve lyrics and melodic, fierce musicianship: The Menzingers' 'Rented World'

Dreaming about teeth, teeth falling out specifically, is supposed to represent anxiety and transition. Already this year The Hold Steady have based an album around the concept and now, on his own band’s fourth album, Greg Barnett of Pennsylvania punks The Menzingers seems to be wrestling with similar visions. “Dreaming that my teeth are falling out,” he sings on “Bad Things”, the album’s second track; “I’m driving, there’s no steering wheel.”

Sure, the four-piece are old hands at this by now, but it’s hard to believe that there isn’t a social subset of anxiety devoted to the album after the one that’s widely regarded as your masterpiece. On the Impossible Past, the band’s 2012 Epitaph debut, captured a whole new legion of fans (this writer among them) drawn to Barnett’s heart-on-sleeve lyrics and gut-busting vocals, combined with a melodic, yet fierce, musicianship. All of those elements are present on Rented World but with less of an immediacy; an unsurprising effect, perhaps, of an album that devotes much of its meaning to death and to tragedy. It’s hard to tell, given Barnett’s love of the melodramatic, if tracks like “My Friend Kyle (PDC)” and “When You Died” are truth or metaphor, the former rattling along like a celebratory eulogy and the latter, acoustic and affecting, slowly burning out like the campfire it could have been written for.

In a sense, first single and opening track “I Don’t Wanna Be An Asshole Anymore” seems to herald a whole different album with its infectious woah-oah-oah-oah chorus and revelatory lyrics that promise a better tomorrow; but in a similar vein to the blackly comedic video that accompanied it the ending is never quite the one that you hoped for. And yet there’s nobody who can capture that mid-to-late-20s ennui quite like Barnett, “at the party in a cloud of nicotine exhaled by drunk 20-somethings”; no band that can make a song like “In Remission”, the album’s quietly triumphant centrepiece, sound quite so magnificent. Rented World may not be the band’s calling card, but it’s a work to be proud of nonetheless.

Overleaf: watch the video for "I Don't Wanna Be An Asshole Anymore"


There’s nobody who can capture that mid-to-late-20s ennui quite like Greg Barnett

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time