CD: Paloma Faith - A Perfect Contradiction

Unspectacular third effort fails to stand out from the crowd

share this article

The Big Lovelorn Cliche Songbook: Paloma Faith's 'A Perfect Contradiction'

For better or worse, it’s not enough these days to be a perfectly serviceable pop singer. With Saturday night TV shows churning them out by the dozen, you need more than an attractive face and an ability to hit the right notes to stand out. With her brassy voice and purposefully idiosyncratic looks Paloma Faith, who herself will shortly be mentoring a musician as part of yet another nationwide talent search, always seemed like somebody doing her own thing - it’s just a shame that doesn’t come across on her third album, A Perfect Contradiction.

While this may be to do with the lengthy cast of supporting characters contributing production and songwriting to these 11 tracks - Pharrell Williams, Diane Warren, Plan B, John Legend and Raphael Saadiq are all name-checked, and that’s only the first half - the real problem is that Faith herself seems to have forgotten what she sounds like. Williams’s chart-topping neo-soul should be the perfect fit for Faith’s vocals, but first single and opening track “Can’t Rely on You” sounds like a karaoke tribute to Robin Thicke’s Williams-featuring “Blurred Lines” dressed up as an empowerment anthem. And yet, a few listens down the line, it’s probably the most recognisable thing on an album which is basically Paloma Faith Sings The Big Lovelorn Cliche Songbook, but with little in the way of conviction.

Sure, the first few tracks are generic, hyper-sexualised party songs, but the Warren-penned “Only Love Can Hurt Like This” marks a change in pace that the album never quite recovers from. It wouldn’t necessarily be a problem: the song itself has a classy '60s girl group vibe, and sung by somebody like the much-missed Amy Winehouse with the lungs and the world-weary presence to carry it would be as much of a wrench as the best of the Shangri-Las. But paired with Faith’s noncommittal delivery and the same big beats as half of the iTunes Top 10, you’ll be rolling your eyes by the time Paloma proclaims that she too has an “impossible heart” that won’t save her.

Overleaf: watch the video for Pharrell Williams-produced single, "Can't Rely On You"

 


The real problem is that Faith herself seems to have forgotten what she sounds like

rating

2

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time