CD: Robin Thicke - Blurred Lines

American-Canadian blue-eyed soul star effectively showcases his party side

share this article

Robin Thicke, looking irritatingly pleased with himself, as ever

There is something eminently smug and punchable about Robin Thicke. Born into a showbiz dynasty of US TV celebrities (media geek fact: his dad also composed the theme to Diff’rent Strokes), he appears to have lived a cossetted existence, writing slick, plastic sex songs for a multitude of stars from an early age while heavily involved in the epic artifice of TV talent shows. What’s not to loathe? Except that you don’t get signed to The Neptunes’ label or have Jay-Z work with you on the basis of dilettante dabbling. No, Thicke, punchable or no, can navigate his way around a pop song.

His latest album, his sixth, also eschews his ongoing quest to write the ultimate bedroom ballad. Sure, there’s plenty of explicit lust aboard but Blurred Lines doesn’t ooze those R Kelly-esque levels of liquid porno sleaze that a certain portion of the soul community mistakes for sexiness. And then there’s the title track, one of the year’s biggest hits, featuring Pharrell Williams and TI. Its central riff is ridiculously catchy and despite the line “you the hottest bitch in the place”, its good-girl-goes-bad theme has hooked ladies onto dancefloors from Romford to Reykjavik. There’s something of Prince about it, albeit Prince by way of Eighties Euro-cheese disco-merchants Ottawan.

Clocking in at 38 minutes, Blurred Lines doesn’t outstay its welcome and mingles easy listening funk redolent of WHAM!’s “Club Tropicana” with the brassy fun of Chic (notably on the frolicking summery “Ain’t No Hat 4 That” and “Get in My Way”). Elsewhere the EDM boom has taken grip as Armand van Helden-style steroid house kick-drums bite on “Take It Easy on Me”. The rude, lewd “Give it 2 U”, featuring Kendrick Lamar, revels in surprisingly techno electronic noisiness, as well as priapic claims of enlarged manhood. Thicke embraces such variety enthusiastically and even the ballad, “4 The Rest of My Life” maintains a certain lyrical vigour.

All in all and begrudgingly, if you insist on embracing this sort of thing, Robin Thicke does it very well.

Watch the unrated video for "Blurred Lines". "What's wrong with being sexy?" as Spinal Tap once asked. Answers in the comment section below, please...

Prince by way of Eighties Euro-cheese disco-merchants Ottawan

rating

3

explore topics

share this article

Support the future of arts journalism

Subscribe to theartsdesk.com

Thanks so much for choosing genuinely independent arts journalism theartsdesk’s mission has never been more important – in an age of relentless algorithmic recommendation, sponsored content and unreliable AI, the expertise and discernment of individual critics deeply embedded in their specialist areas is absolutely vital.

If you want more of that in your life, why not subscribe now?

If you do this before the 31st August, you’ll be able to keep at this “founders rate” for life: your subs will never increase! You can choose to subscribe annually for just £40 simply click here
or monthly for £5 per month simply click here.

Not ready to subscribe?

If you want to support with a little extra or aren’t ready to subscribe just yet, there’s also the option to give direct to our crowdfunder to support our imminent redesign and exciting expansion with new features and collaborations Simply contribute here: https://gofund.me/c3f6033d.

However you choose to be involved, you can proudly say that you are picking the right side in the battle for truth and humanity in the modern information landscape. And we will be very glad to have you on board!

more new music

Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat
The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time